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Home ‘Stranger Things’ Sound Designer Craig Henighan – Production Value – Deadline
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‘Stranger Things’ Sound Designer Craig Henighan – Production Value – Deadline

Team EntertainerBy Team EntertainerJune 16, 2022Updated:June 16, 2022No Comments3 Mins Read
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‘Stranger Things’ Sound Designer Craig Henighan – Production Value – Deadline
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“I simply at all times felt like sound, and sound design, and sound results, and making a world of sound was one thing that was actually, actually enticing to me,” says sound designer Craig Henighan. His love of sound began at a younger age. Since his dad performed in bands, Henighan was at all times capable of finding microphones and tape recorders to experiment with.

He’s been concerned with Stranger Issues for the reason that first season, and he says this season was probably the most intense but. “The conversations for season 4 have been like… it’s massive,” Henighan says. “It’s greater than you’re ever going to think about… mainly greater, badder, extra cinematic.”

Created, written, and directed by Matt and Ross Duffer, this sci-fi horror collection mixes the popular culture of the ’80s with supernatural conspiracy theories surrounding the Chilly Struggle. Season 4 takes place six months after the occasions on the Starcourt Mall, which led to the disappearance of Hopper (David Harbour). The group is separated and navigating highschool when a brand new supernatural risk approaches.

One of many greatest sounds to design this season was the creepy grandfather clock. “It’s a extremely massive story level so we would have liked it to be Stranger Issues-sounding” he says, “however we additionally wanted it to nonetheless inform the concept time is ticking away.” The primary model of the sound that the Duffer brothers despatched to Henighan simply wasn’t scary sufficient so he instructed them, “Oh no, we are able to take this a lot additional.”

“I used to be fascinated with the pendulum swinging and the way we are able to make that extra attention-grabbing and extra terrifying and simply extra concerned than only a traditional grandfather clock,” he says. “I ended up discovering these cello [tracks], mainly taking the bow and placing throughout the strings, not likely taking part in a notice however you’re kind of doing this like thumping sound.” When he put these sounds in sync with the pendulum, the subsequent problem was to search out the fitting chiming noise.

Fortunately the Duffer brothers have been trying to find sounds as effectively. “The wonderful thing about Matt and Ross,” he says, “is that once we discuss and we do recognizing periods, we really nearly discuss in sound results. They’re actually into sound and the way sound will help storytelling.” As soon as they despatched him some samples they favored, Henighan was in a position to lock collectively 4 completely different chime sounds to create an awesome distortion that linked with the common ticking sounds. Mixed with the cello-pendulum monitor, he had created a scary distortion of the standard grandfather clock and gave it that “Stranger Issues sound.”

Click on on the video above to look at the total interview.





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