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Home Prog Collective, ‘Songs We Were Taught’: Album Review
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Prog Collective, ‘Songs We Were Taught’: Album Review

Team EntertainerBy Team EntertainerJune 30, 2022Updated:June 30, 2022No Comments4 Mins Read
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Prog Collective, ‘Songs We Were Taught’: Album Review
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Over a four-album span, the Prog Collective has discovered a musical consolation zone. It is best described as “Billy Sherwood and Buddies.” A two-stint member of Sure, Sherwood serves as producer and multi-instrumentalist savant on the periods, flying in a sequence of file-shared visitor turns that had been at first intriguing however have grow to be at occasions considerably complicated. The identical, fairly frankly, will be mentioned for the chosen songs.

The Prog Collective’s self-titled 2012 debut was dotted with originals and featured assists from fully anticipated figures like Alan Parsons, Tony Levin, Rick Wakeman and John Wetton, amongst others. Epilogue, launched a yr later, noticed Sherwood developing some very welcome partial Sure reunions. By the point we get to 2021’s World on Maintain, nevertheless, the collective has begun to stray effectively away from prog. Steve Hackett and Jethro Tull’s Martin Barre had been all of the sudden joined by … David Clayton-Thomas of Blood, Sweat & Tears? Every album appeared to have fewer and fewer new songs, and the chosen covers hardly match the mildew. Throughout World on Maintain, New York Dolls’ David Johansen could possibly be discovered taking up … the Doorways’ “Folks Are Unusual”?

The group additionally up to date Boston’s decidedly unproggy “Extra Than a Feeling.” By its very title, Songs We Had been Taught guarantees extra of the identical head-scratching incongruities – and it absolutely delivers as they return to well-trod favorites from Simon & Garfunkel, Bob Dylan, Cat Stevens and the Band, amongst others. Arduous to think about any of these of us arriving in an aquatarkus, you realize? On the similar time, the Prog(?) Collective now finds Ron “Bumblefoot” Thal of Weapons N’ Roses, Jeff “Skunk” Baxter and a returning Clayton-Thomas amongst its ranks. Three different present or former members of Sure seem, however so do Dweezil Zappa and Steve Morse of Deep Purple. Which begs the query: What if we simply referred to as it the Collective, with out the Prog? How would Songs We Had been Taught maintain up with out the weighty assumptions related to this complete Moog-spinning, cloud-standing, magician-starring, classical-swiping style? Reply: fairly effectively, surprisingly sufficient.

Morse and Roine Stolt break up “Summer time Breeze” someplace between Seals & Crofts’ authentic jasmine-scented reminiscence and the metallic ecstasy of the Isley Brothers’ subsequent replace. Barre adroitly handles his half on James Taylor’s “Hearth and Rain,” even when Sonja Kristina’s vocal is much too formal. Apart from some prolonged instrumental breaks, there’s not loads of prog. It is simply as effectively since a few of the tracks had been notably poor candidates for actually progging up – together with “The Sound of Silence,” “The Occasions They Are A-Changin'” and “It is Too Late.” The outcomes are as diverse because the supply materials. Carole King’s tune is certainly one of this set’s greatest revelations, with a stunning vocal by Candice Evening of Ritchie Blackmore’s ren-faire folks band Blackmore’s Evening. Jon Davison and Geoff Downes flip “The Sound of Silence” into an ethereal confection – all Garfunkel reverie, with out Simon’s morbid wit. Wishbone Ash’s Martin Turner and violinist Jerry Goodman do not do a lot, good or unhealthy, with Dylan.

Alternatively, Al Stewart’s “Yr of the Cat” was at all times effectively suited to a prog flip, and Sherwood does a reputable job in collaboration with David Sancious, who was a member of the E Avenue Band and has backed Peter Gabriel. Thal’s flip is inevitably the heaviest of the bunch. “Home of the Rising Solar” finds Clayton-Thomas trapped in a really bizarre Steve Hillage-driven automobile. Alternatively, Rod Argent and Baxter method “The Weight” by the Band with a really welcomed delicacy. Leaving such small, frankly idiosyncratic achievements apart, the Prog Collective finds itself at a artistic crossroads. Sherwood nonetheless has a formidable variety of buddies. However are they out of concepts? Are they even prog anymore? Songs We Had been Taught does not have these solutions. Possibly the subsequent album will.

Prime 50 Progressive Rock Albums

From ‘The Lamb’ to ‘Octopus’ to ‘The Snow Goose’ — the perfect LPs that dream past 4/4.





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