When Bartees Unusual took the stage at The Paramount in L.A.’s historic Boyle Heights neighborhood on February thirteenth, he was fast to let the viewers know precisely the place he’s at. “I labored on this album for three-and-a-half years and it drove me slightly insane,” he opens with, “It feels good to have it popping out, but additionally appears like I’ve been making ready all this time to run a monitor meet… and am nonetheless out of form.” The viewers chuckles however the look on Unusual’s face says, no, he’s being utterly sincere.
Nevertheless, if Unusual is nervous about returning to the highlight, you possibly can’t see it when he performs. Clad in a placing pink kilt and flowing pirate boots, Unusual instructions all consideration as he kicks the showcase with “Too A lot,” an more and more thunderous music the place he worries about totally being himself in his music. After which does it anyway.
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That’s Bartees Unusual’s mantra as of late. His new album, the aptly titled Horror, is about forcing your self to really feel your fears, which Unusual tells me over a video convention name is how he’s been working since childhood. Again then, he’d watch scary motion pictures to observe being courageous. “I used to be a naturally nervous child and didn’t suppose I might ever not be nervous, so I used to be like, nicely, I simply should get good at being nervous, and [scary movies] was a method to try this.” The primary film younger Bartees used to check his mettle was 1997’s Spawn, which left him shook as a result of, “I used to be so Christian and was like…rattling, black dude dies, goes to hell, and Devil’s like, return and run missions for me. That’s heavy.”
Unusual’s love for the style has grown since then. He feels a kinship to the way it’s a riskier artwork kind that enables him to discover the foundation of horror concern. “Worry as an emotion is one thing that each human feels, however it’s not like love or happiness or braveness. It’s a factor that you just wish to get away from as quickly as you are feeling it,” says Unusual. “I wished to deal with how highly effective concern could be, and the way individuals sort of face the identical fears time and again in life. And should you can, perhaps not defeat them, however discover ways to face them, you might need a extra fulfilling life.”
To make his listeners face his fears (and hopefully their very own), Unusual crafted his album to really feel like a horror film; not in a jump-scare method, however within the deeply unsettling sense. Which means deeply private lyrics, sharp tonal shifts, and on songs like “Hit It Stop It” and “Loop Defenders,” constructing the music to a dizzying, chaotic frenzy… and never resolving it. Each music on the album ends abruptly or at its most anxious second, by design. Unusual explains, “I wished all of the songs to sort of finish with a query mark. Issues not ending the appropriate method, like horror in an Ari Aster sort of method.”
However like the very best scary motion pictures, Horror has a robust ending. The ultimate monitor, “Backseat Bantam” is brighter, extra assured, and even hopeful. “I believe that on the finish of the file, I wished to be like, you possibly can solely run from your self for therefore lengthy. At a sure level, it’s important to be sincere with who you’re, and in that’s freedom and salvation,” Unusual explains, “It’s like a horror film the place you get to the tip and escape by going by the scary factor.” In spite of everything, the album’s final strains are “The one method up for me is to interrupt down,” which displays Unusual’s view of “You be taught extra from the underside of a nicely than the highest of a mountain.”
As a testomony to this concept, Unusual appears extra snug in his personal music than ever. Stylistically, Horror paints together with his broadest canvas, synthesizing hip-hop, nation, basic rock, indie rock, and home influences into Unusual’s personal sound. It additionally finds the artist, who identifies as bisexual, additional expressing his sexuality. “It’s a bit extra of how I’ve all the time seen myself, slightly extra ethereal,” Unusual says, then including with fun, “I by no means actually consider my artwork as queer artwork, as a result of I all the time was like, “Yeah, I’m queer, however that is likely to be the least fascinating half about me,” he laughs. “However I’m queer and that is my little scary file.” He credit a few of this confidence to the artist Claud, who inspired Unusual to personal his queerness, reminding him, “You’re not taking over anybody’s area. In actual fact, you’re making the room larger for extra individuals to suit.”
Unusual additionally acquired musical validation from Horror’s producer, Jack Antonoff. After assembly at a music pageant cafeteria and bonding over previous hardcore bands, they began working collectively. Unusual performed on Bleachers 2024 album, and Antonoff provided his experience on an early model of the album. It was a enjoyable collaboration, as Antonoff helped Horror’s songs evolve, but additionally, “He didn’t actually change my songs.” Unusual provides, “He preferred how I produced them. And I used to be like, ‘Whoa, I’m getting compliments on my drum sounds and my guitar sounds and my inventive selections from essentially the most profitable producer of my period.’”
In spite of everything of our theoretical discuss of concern, I needed to ask: What scares Bartees now? “So many issues, like cash,” he shares with fun. “I attempt to see myself in 10 years and I’m like… I couldn’t inform you. And that’s scary to me ’trigger I’ve all the time been on a quest to discover a place the place I may simply plop down and never be too anxious about cash and simply be an artist. However increasingly more, it looks as if that chance and life-style is being eroded away.” It’s a priority that Unusual explores in his music “Desires Wants,” which he describes as asking his fixed questions of, “How the hell does this work? How do I get to do that subsequent yr? Or ought to I’ve already stop?”
Primarily based on Horror and the present at The Paramount, the reply to his final query is a powerful “no.”
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