“We needed to get a dying certificates,” says Travis Mills—one-half of pop-punk duo girlfriends, together with Nick Gross—over a video name from Studio Metropolis, about getting the rights to the social media deal with that will bear the band’s identify.
Earlier than we get into that, nevertheless, let’s again up a bit.
Earlier than girlfriends, Mills, who at present hosts The Travis Mills Present on Apple Music 1, had his personal profitable music profession as rapper T. Mills, and dabbled in appearing, starring in such exhibits as Ghosted: Love Gone Lacking and Assist! I’m in a Secret Relationship!
Gross, previously the drummer for pop-rock band Half the Animal, and a profitable entrepreneur, had not too long ago joined the Los Angeles-based punk band Goldfinger earlier than Mills messaged him on Instagram in 2019, asking him if he can be concerned with beginning a band.
Gross, who had performed a present with Mills in 2015, invited him to his Los Angeles studio, The Noise Nest, to hearken to music, speak about what impressed them, and brainstorm concepts for his or her potential musical collaboration.

“I didn’t go into girlfriends pondering this might be a pop-punk venture in any respect,” says Gross, calling from Laguna Seashore, California, the place he was born and raised. “However once we first received within the studio to create songs, that’s once we knew instantly this was going to be a venture that was this excellent mix of bands that we grew up listening to and utilizing our previous influences to carry what girlfriends was to life.”
After a few weeks of hanging out, the duo knew they wanted a band identify. Mills introduced a listing of 5 potential candidates to Gross. The primary one was girlfriends. The second was Boyfriends.
“We went with the primary one as a result of it was one of the best band identify of all time,” says Gross.
“I thought of how humorous it might be to be on stage in Arizona or wherever and simply be like, ‘Hey, what’s up, Arizona? We’re girlfriends, and it’s simply two dudes on stage,’” says Mills, laughing.
To not be confused with the all-female band the Girlfriends, who scored their solely No. 1 hit in 1964 with “My One and Solely Jimmy Boy,” or the emo-math rock venture by Jerry Joiner.
“There was a TV present named “Girlfriends” as nicely,” Mills affords.

Gross factors out that there was additionally an Atlanta nail salon with the identical identify that they needed to deal with to have the ability to use the identify on social media, and that’s the place the dying certificates is available in.
The @girlfriends Instagram web page has been dormant since 2013, Mills says. After calling the store to get permission to make use of their social media deal with, they came upon that there was a brand new proprietor who didn’t have entry to the social media account.
“We’re like, ‘Cool, are you able to join us to the earlier proprietor?’ And so they had been like, ‘No.’ It was as a result of the proprietor of the nail salon died,” says Mills.
Mills and Gross had been instructed by Meta to get a letter from the brand new nail salon proprietor and, sure, the earlier proprietor’s dying certificates, to show that they had certainly died.
“It was this entire factor, however we received it,” says Mills.
After releasing their first two albums, girlfriends in 2020 and (E)movement Illness in 2022, together with two EPs, the 2 are actually celebrating their third album, There Goes The Neighborhood, which got here out October 24. “It’s like the good unveiling of the final three years, so we’re pumped,” says Gross, his 95-pound Bernedoodle quietly sitting in his lap, out of digicam shot.

Mills and Gross teamed up with buddy, collaborator, and longtime Goldfinger frontman John Feldmann to supply the album. Feldmann, who’s co-written and produced for Korn, 311, Good Charlotte, and plenty of different artists, can be the pinnacle of A&R for Massive Noise Music Group, a music label, distributor, and recording studio based by Gross.
The duo spent two and a half years engaged on almost 60 songs earlier than selecting the 16 tracks that make up There Goes The Neighborhood.
Mills says having Feldmann—who produced a few of their favourite data rising up, just like the Used’s self-titled debut album—collaborate on their new report made the method a way more cohesive one due to their already-established relationship.
“To have that sort of resume and that pedigree…he’s greater than a buddy, he’s a confidant for our band,” says Mills. “It’s actually cool to not have to sit down down in a room with somebody who doesn’t know the historical past and thinks they’re going to offer you one thing that basically isn’t you. It’s like, let’s simply get within the studio, decide up devices, and see what concepts we’ve got for the day.”
Earlier than that they had written any songs, Mills and Gross already knew the album’s title.
Mills says understanding that helped inform a whole lot of the report.
“The entire theme of the report is the neighborhoods that Nick and I grew up in,” Mills says. “It’s how we grew up. It’s the place we grew up. It’s why we grew up the way in which that we did. I feel there’s a nostalgia sort of baked into that…the primary time you fall in love, the primary time you sneak out, the primary time you get your coronary heart damaged, the primary time you notice that you’ve a greatest buddy, the primary time you notice your mother and father aren’t superheroes, and the primary time you notice that life is sort of fucked up at occasions, and it’s not the whole lot that you just see within the films or on tv.”
Songs such because the anthemic “Rubbish,” the guitar-driving “Landslide,” and the yearning-for-the-past “1999” replicate a return to type for the duo, an authenticity and trust-your-gut method that, in keeping with Gross, was considerably absent in the course of the making of their second report.

“The intention we introduced into this report was to get into the studio daily, and no matter comes out of the studio from that day is what we’re going to dwell with,” says Gross. “I feel for our second album, there was a little bit of that overthinking and pulling an excessive amount of from different locations to affect what girlfriends actually was and needed to be.”
Mills says he hopes that when folks hearken to this album, it brings again the identical sort of recollections from childhood that it did for them once they had been making it. He needs it to be a time machine, a vessel to move listeners again to their youthful selves, to that point of self-discovery. However, he notes, this album isn’t meant to be a bum-you-out sort of report meant to go away you craving for these less complicated occasions in your life as a result of being an grownup sucks.
“We are able to miss this stuff, nevertheless it’s additionally fairly cool to see how far we’ve come,” he says. “The issues that I dreamed about in my bed room rising up, I’ve gotten to examine a whole lot of that off my record, and it’s fairly surreal. Once I assume again to mendacity in my mattress with posters on my wall, listening to my favourite bands, to then with the ability to go on the street with a few of them and name a few of them buddies…the shit I assumed would by no means occur, it occurred. And that’s fairly rad.”
