The nominations for the 68th annual Grammy Awards have been introduced Friday morning (Nov. 7), with the Recording Academy as soon as once more recognizing the dance/digital style throughout 4 classes: greatest dance digital recording, greatest dance/digital album, greatest dance pop recording and greatest remixed recording.
These classes welcome again an inventory of acquainted faces, particularly in Fred once more.., Kaytranada, Disclosure and Skrillex. These artists have tallied a mixed 49 nominations and 13 wins, with Skrillex arguably being the Academy’s most liked dance artist, along with his 9 wins going again to 2012. (In the meantime Fred once more.. has two awards, as does Kaytranda, whereas Disclosure has been iced out of any wins so far throughout their storied profession.)
This repeat pool of nominations means that the Grammys have discovered a cadre of dance/digital artists that aren’t solely worthy, however with whom the Academy feels comfy returning to time and again. Fred, Skrillex, Kaytranada and Disclosure make up practically the complete dance/digital recording class, which is rounded out by Tame Impala’s “Finish of Summer season,” a worthy monitor that carves out house for recognition of the artist’s new electronic-focused album Deadbeat, which was launched after the 2026 eligibility window closed.
Elsewhere, the classes herald much less steadily nominated artists, together with FKA twigs and PinkPantheress, each welcome sights to see nominated for dance/digital album, a class that additionally consists of fellow Grammy favs Rüfüs du Sol, a gaggle that’s aggregated six nominations and one win over its profession.
Whereas none of those nominations comes as a real shock, being that there are solely 5 slots in every class, as all the time, there have been additionally a couple of surprises sprinkled throughout the classes. Listed here are a number of the greatest snubs and surprises within the dance/digital nominations for the 68th annual Grammy Awards.
Shock: Tinashe & Disco Traces
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}The culture-permeating earworm that unseated Marshmello and Kane Brown’s “Miles on It” from its lengthy reign at No. 1 on Scorching Dance/Digital songs appeared like an apparent alternative for a greatest dance pop recording nominee. “No Broke Boys,” the dance world’s unofficial music of the summer time, began as an edit heard throughout Disco Traces’ set at EDC Las Vegas in Could, getting an official launch as a brand new single with recent vocals from Tinashe that meshed her 2024 authentic with Disco Traces’ bouncy beat. However simply because the music’s lyrics go, by way of 2026 Grammy recognition, there have been certainly “no new mates.”
Snub: John Summit
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}The Chicago-born producer and bona fide international phenom was shut out of the 2025 Grammys throughout his breakout 12 months — a 12 months throughout which he additionally launched his Grammys-eligible debut album Consolation in Chaos. The academy may need made up for the snub with a 2026 nod, notably on condition that Summit’s eligible January monitor “Focus” that includes Cloves marked a few of his greatest and most mature work thus far. However at the same time as Summit headlines precise soccer stadiums, he’s apparently and surprisingly nonetheless not a spotlight for the academy.
Snub: Jamie xx
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}The dance world rejoiced when Jamie xx launched In Waves, his long-awaited follow-up to his 2015 basic In Color, in September 2024. Whereas this latter album was nominated for greatest dance/digital album in 2016, In Waves didn’t get that acknowledgement, a snub contemplating how nicely the venture was acquired and the way nice it’s. With In Waves singles additionally being submitted for greatest dance/digital recording, it’s shocking that voters didn’t handle to carve out any house for the venture or the beloved producer, particularly because the academy makes Grammy darlings out of fellow left-of-center indie dance producers like Fred once more.. and Kaytranada.
Shock: Kaytranada
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}We’re not shocked that the Canadian-Haitian producer is nominated in greatest dance/digital recording this 12 months, as something Kaytra does has the Midas contact. The shock is that the producer is just nominated for greatest dance/digital recording for “Area Invader,” on condition that the album that the monitor comes from, Ain’t No Rattling Approach! is superb begin to end. One wonders the elements weighed by voters as they despatched a single from the album by way of to the nominations pool, however not the album it got here from.
Snub: Dom Dolla
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}The Australian producer makes a speciality of, and in reality helped kind, the type of slinky, acid-ey new wave of tech home that’s been one of many dance world’s dominant genres for the previous a number of years. One would suppose that voters may acknowledge Dolla for that contribution, notably as his hypnotic February single with Daya, “Dreamin’,” was rinsed by DJs all over the world this 12 months. This accomplishment occurred in tandem with the producer rising to pageant headliner standing whereas additionally pushing his title and dance music at massive additional into mainstream consciousness by way of his A+ contribution to the F1 The Album movie soundtrack, “No Room for a Saint.” However on the 2026 Grammys there was apparently certainly no room.
Snub: LP Giobbi
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}Amid her breakout 12 months, the dance world favourite launched a few of her most interesting work thus far on her 2024 album Dotr. Exploring the expertise of grief in a manner few artists are in a position or prepared to do, a nomination for the album would have additional established the Oregon-born, Texas-based and absolutely globe-trotting artist as a dance world pressure, though she’ll little question proceed being so with out the nod.
Shock: Mariah Carey
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}Pop divas are not any stranger to the dance classes, with Britney Spears, Madonna, Beyoncé, Cher, Rihanna, Woman Gaga and extra making appearances within the dance/digital album and dance/digital recording classes since they have been launched in 2005 and 1998, respectively. However by no means has queen diva Mariah Carey proven up in these classes, till now. Kaytanada’s slinky, attractive remix of Carey’s 2005 anthem “Don’t Overlook About Us” brings Carey (who has 5 Grammy wins to her title) to the dance subject, additionally marking the primary remix from UMG’s catalog division UMe to ever be nominated.
Snub: Chris Lake
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}Longtime dance world fav Chris Lake did get a 2026 nomination for his boss remix of The Chemical Brothers’ “Provoke,” however one thought he may additionally get the nod for greatest dance/digital album for his July LP Chemistry, his first ever studio album after a greater than 20-year profession. Apparently the venture, glorious begin to end, didn’t fairly alchemize with voters.
Shock: Dance Pop Goes Pop
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}Maybe it’s not really that a lot of a shock, however three years into its existence one of the best dance pop recording class is principally totally dominated by pop stars, with Zara Larsson, Selena Gomez and Benny Blanco, Tate McRae, PinkPantheress and Woman Gaga getting 2026 nominations. Provided that the dance/digital fields have traditionally under-recognized feminine producers, seeing feminine artists dominate this class is a welcome improvement, though this class increasingly looks like an area for bona fide pop stars who don’t completely inhabit the dance world to only submit their most dance-centric output.
Snub: Ninajirachi
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}The Australian producer is within the midst of her breakout second, an achievement she’s been working in direction of for years and which she has lastly and deservedly realized along with her August album I Love My Pc, simply one of many 12 months’s greatest dance/digital albums. Awards in her residence nation have met this second, with Ninajirachi being nominated for a number of Australian awards together with the ARIA Awards, the NSW Music Prize and the Australian Music Prize, the latter of which she gained this week. A Grammy nomination would’ve introduced her breakout buzz to a brand new stage whereas delivering some recent vitality to the nomination fields, however alas, no love.
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