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Home Fleet Foxes Come Full Circle With Elliott Smith Cover
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Fleet Foxes Come Full Circle With Elliott Smith Cover

Team EntertainerBy Team EntertainerNovember 21, 2025Updated:November 22, 2025No Comments4 Mins Read
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Fleet Foxes Come Full Circle With Elliott Smith Cover
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Fleet Foxes’ Robin Pecknold as soon as misplaced a highschool expertise present after performing an Elliott Smith cowl, however audiences are certain to be extra accepting of his pretty, just-released tackle the late singer/songwriter’s “Angel within the Snow,” which could be discovered on the soundtrack to the Amazon MGM vacation film Oh. What. Enjoyable.

As beforehand reported, Gwen Stefani, Wilco’s Jeff Tweedy, St. Vincent, Sharon Van Etten and the hen and the bee all contributed unique tracks to the album. Directed by Michael Showalter, Oh. What. Enjoyable. stars Michelle Pfeiffer as a household matriarch unintentionally separated from her household in the course of the holidays. The forged consists of Felicity Jones, Chloë Grace Moretz, Denis Leary, Dominic Sessa, Danielle Brooks, Devery Jacobs, Havana Rose Liu, Maude Apatow, Jason Schwartzman, Eva Longoria and Joan Chen.

In early 2000s Seattle, Pecknold’s cowl of Smith’s “Pitseleh” didn’t stand an opportunity amid highschool competitors similar to “the Britney Spears dancers.” As he recollects to SPIN, “the judges have been the lecturers they usually didn’t get it, so the subsequent yr I went again and did ‘After the Gold Rush.’ That point, I gained. Finally, I used to be going to neighborhood school to complete highschool, however I chimed again in at commencement in 2004 with all these handouts that mentioned ‘RIP Elliott.’ The yearbook that yr had a plastic sleeve that you could possibly slip paper in entrance of, so me and my mates had that little tribute to him.”

Smith’s music continues to forged an extended shadow for Pecknold, who was impressed to select up a guitar within the first place due to his “bizarre tunings and totally different chord shapes. If the Seashore Boys have been an instance of what you are able to do with chamber orchestration, then Joni Mitchell and Elliott have been what you are able to do with only a couple guitars and a few attention-grabbing progressions and songwriting talent. After I was a teen, I might attempt to make Elliott ripoff songs that actually missed the purpose. It’s simply so singular. It stopped being one thing I even tried to combine that a lot into what I used to be doing. It was the type of factor the place you find it irresistible a lot that you just go away it alone, ?”

Pecknold acknowledges the bittersweet high quality of “Angel within the Snow,” however says “it has a tenderness to it that’s in a number of his music. It doesn’t have the type of empty darkness of a few of that later stuff.” As for his method to protecting the tune, he admits, “I’m very literal with covers. I deal with them extra like sheet music than one thing to be drastically reinterpreted. I’m simply historic reenactment-coded to some extent (laughs). It’s actually enjoyable to dive into stuff like that, particularly when there are barely extra concerned elements to be executing.”

Requested why he thinks delicate singer/songwriters like Smith and Jeff Buckley nonetheless resonate with new generations of listeners, Pecknold observes, “I used to take as a right the ‘90s-ness of Elliott and Jeff Buckley a little bit bit, as a result of it was simply the ocean during which they have been swimming. I used to be drawn to the ‘60s-ness of each artists. Jeff Buckley had Nina Simone’s supply, and Elliott had these Beatles-esque chord progressions. I don’t suppose I used to be clocking their nostalgia in actual time when it was taking place. Lots of Phoebe Bridgers-style music feels Elliott-inspired in a manner that’s reintroducing a few of his concepts, mentality or method to a youthful viewers. He’s one the place you’re like, man, what would he have been doing if he was nonetheless round? God. It’s such a disgrace, however he left an unimaginable physique of labor for certain.”





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