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Home Creating, managing and distributing media content with…
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Creating, managing and distributing media content with…

Team EntertainerBy Team EntertainerDecember 4, 2025Updated:December 4, 2025No Comments6 Mins Read
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We spoke to many executives to seek out out why firms worldwide are selecting the platform

By Richard Humphreys |
29 March 2019

This text was initially revealed within the Spring 2019 subject of The Report. Subscribe for FREE right here to get the following subject delivered on to your inbox. 

In line with a 2019 Cisco research, video will make up 82% of all on-line visitors by 2022. And this isn’t all – video streaming through the web to good TVs will improve threefold between 2017 and 2022 and client video on demand (VoD) visitors will practically double by 2022. The quantity of VoD visitors by 2022 will probably be equal to 10 billion DVDs monthly.

“Media firms should – and have – been adapting to the truth that an excessive amount of video viewing happens on screens aside from TVs, even in client dwelling rooms,” explains Shruti Jain, principal analyst for Cisco’s Video Networking Index. “Smartphones, tablets and different cellular gadgets are the screens that many individuals select for consuming information and leisure video content material. This has given rise to a number of streaming providers – some from over-the-top (OTT) gamers like Netflix, and others from conventional broadcasters. Reaching and retaining the rising on-line viewers calls for an web streaming media technique that gives frequently up to date and/or widespread and compelling content material – delivered in high-quality.” 

Howard Bass, senior advisory accomplice for Media and Leisure at multinational skilled providers agency EY agrees. “There are growing alternatives for nice storytelling and actually extraordinary manufacturing values to interact audiences,” he says. “Conventional media firms, in addition to newer world content material distribution platforms, will compete on high quality.” 

Pioneering companies are forward of the sport. Take company social networking website LinkedIn, for instance, which has simply begun piloting its new LinkedIn Reside service with choose broadcasters. “Within the 18 months since we launched native video, dwell has been the highest requested video function from members and we additionally see quite a few examples the place dwell video would make sense,” stated Tatiana De Almeida, LinkedIn spokesperson. “For instance, an influencer doing an entrepreneurship ‘ask me something’ video, or a video sequence on office tradition. We’re wanting ahead to seeing how our pilot broadcasters use LinkedIn Reside to carry folks collectively and can consider what is sensible for increasing based mostly on the communities we see forming and rising round streams.” 

In the meantime, Canada-based media agency zonetv is utilizing synthetic intelligence (AI) and human curation to create Dynamic Channels – customised and personalised video channels that draw content material from quite a lot of sources and be taught viewers’ tastes over time. Within the six years since its founding, zonetv has supplied quite a lot of video merchandise, together with interactive event-based pop-up channels just like the Santa Tracker, which will get hundreds of thousands of viewers throughout the vacation season. The corporate can also be one of many largest curators and aggregators of subscription video on demand in North America, supplying content material to a number of the greatest names within the house video trade.

And UK supplier of tv, telecommunications, web entry, and cellular community providers TalkTalk can also be capitalising on new alternatives by way of TalkTalk TV. With the service, the agency delivers the newest TV and film content material to 1,000,000 month-to-month customers on PCs, sport consoles, tablets, mobiles, good TVs and extra. 

Whereas very totally different of their method, all of those companies have one factor in widespread: they’re leveraging Microsoft Azure – a hyperscale, enterprise-grade hybrid cloud platform offering greater than 150 providers – from primary storage and compute providers to superior AI providers. 

“Azure permits companies to combine their media provide chain by creating, managing, distributing, and monetising content material within the cloud,” explains Rainer Kellerhals, Microsoft’s media and leisure trade lead for the EMEA area. “In the meantime, Azure Media Providers present the precise capabilities required for audio and video workflows, like high-definition video encoding and transcoding, dynamic media file packaging, dealing with digital rights administration keys and encryption, broadcast-quality dwell and on-demand streaming to succeed in audiences on hottest gadgets, and telemetry to observe service high quality and monitor consumer interplay.

“As well as, Azure Video Indexer permits firms to routinely extract descriptive data – additionally known as ‘metadata’ – from their video and audio content material, making video content material searchable at a really granular degree.” 

Sooner or later, the rise of 5G will remodel the trade additional. “Telecommunication companies reminiscent of Telefonica, Ericsson and AT&T are pushing developments in 5G in an effort to facilitate the distribution of content material to any gadget,” explains Rikke Helms, Microsoft’s managing director for the World Telecommunications Trade. “5G will tackle lots of the challenges dealing with media companies immediately – leading to a quicker, extra sturdy community and enabling telco companies to retain their vital roles inside content material distribution. Telco companies and media firms have by no means been extra aligned – it’s thrilling to see how they may form the long run.”  

Cisco’s Jain agrees, but additionally warns of different hurdles that will stop a clean journey going ahead. “Along with the investments in community infrastructure (or partnerships with community operators), an equally vital ingredient to contemplate is the manufacturing price of making content material, in addition to the price of discovering expertise.” 

That is one thing that Rex Grignon, co-founder and CEO of Nimble Collective and former head of Character Animation at DreamWorks Animation, feels strongly about. “Constructing manufacturing infrastructure is a serious price and really advanced for immediately’s media companies,” he explains. “Discovering and fascinating expertise within the more and more aggressive panorama is a big problem too. That’s why we created Nimble Collective, which leverages Microsoft Azure. Our on-demand manufacturing infrastructure permits content material creators to deal with what they need: creating content material, not constructing infrastructure, as they’ve at all times accomplished.

“As for expertise, Nimble Collective permits firms to seek out and interact artists around the globe with simple onboarding/offboarding and a really collaborative workflow. We’re now doing what all of the studios have needed to do for ages however couldn’t afford to engineer on their very own.”



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