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Home Entertainment is next hope for Nigeria after oil (I) – The Sun Nigeria
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Entertainment is next hope for Nigeria after oil (I) – The Sun Nigeria

Team EntertainerBy Team EntertainerFebruary 18, 2026Updated:February 18, 2026No Comments10 Mins Read
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Entertainment is next hope for Nigeria after oil (I) – The Sun Nigeria
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introduction

Leisure is a type of exercise that holds the eye and curiosity of an viewers, or offers pleasure and delight. It may be an thought or a process, however is extra prone to be one of many actions or occasions which have developed over 1000’s of years particularly for the aim of holding an viewers’s consideration (The Oxford English Dictionary, Oxford College Press, 1971, Vol. 1 pp. 213–4).

 

In line with Wikipedia, leisure is any exercise which gives a diversion or permits individuals to amuse themselves of their leisure time, and can also present enjoyable, enjoyment and laughter. Folks might create their very own leisure, akin to after they spontaneously invent a recreation; take part actively in an exercise they discover entertaining, akin to after they play sport as a passion; or devour an leisure product passively, akin to after they attend a efficiency (Wikipedia, Define of leisure. https://en.wikipedia.org/wiki/Outline_of_entertainment).

The leisure {industry} (informally often known as present enterprise or present biz) is a part of the tertiary sector of the economic system and contains a lot of sub-industries dedicated to leisure. Nonetheless, the time period is commonly used within the mass media to explain the mass media corporations that management the distribution and manufacture of mass media leisure. Within the widespread parlance, the time period present biz particularly connotes the commercially widespread performing arts, particularly musical theatre, vaudeville, comedy, movie, and music. It applies to each side of leisure together with cinema, tv, radio, theatre and music.

Financial growth and the demand for leisure

Leisure time has been a figuring out issue within the growth of recreation and leisure as an {industry}. Leisure has grown as an {industry} in keeping with elevated revenue and time out there for leisure and recreation. Financial growth, usually quantified when it comes to productiveness or output per person-hour, has enabled items and providers to be produced with fewer labor inputs. The expansion of the leisure industries has been straight associated to the event of a contemporary economic system and rising financial productiveness, although exact estimation of the demand for leisure is a thorny process (Owen, John D. 1971. The Demand for Leisure. Journal of Political Financial system 79 (1): 56–76.). An necessary difficulty within the growth of leisure as an {industry} is the rising productiveness of staff, and particularly the methods during which technical progress has elevated employee productiveness. Progress in expertise, along with creating the demand for leisure services and products, has additionally led to the creation of a lot of the dominant types of modern leisure (Thomson Gale. Loc cit.).

The leisure {industry}: Progress and progress

The Compound Annual Progress Charge (CAGR) of the leisure and media spending worldwide has been predicted between 2014 and 2019, by sector. Of the 13 sectors that make up the Leisure and Media {industry}, movie will develop on the seventh-fastest tempo worldwide. The quickest is Web promoting, which is able to develop 13.1 % yearly from 2013-2017. Print will deliver up the rear, with journal publishing rising at 0.3 %, whereas the newspaper {industry} stays flat. A milestone will happen in 2016, when the worldwide E&M class turns into a $2 trillion {industry} (http://www.billboard.com/biz/articles/information/world/1565728/study-global-entertainment-industry-poised-to-top-2-trillion-in).

Regardless of forecasts revealing that on-line codecs will expertise essentially the most annual development, an extra breakdown of worldwide leisure and media income in 2009, 2013 and 2018, by platform reveals that non-digital platforms akin to journal and newspaper publishing will proceed to dominate. In 2009, digital income for the {industry} totaled 342 billion U.S. {dollars} and non-digital income totaled 1,038 billion U.S. {dollars}. By 2018, it’s anticipated that digital income will whole 994 billion.

Leisure as an {industry}—in the USA alone—is accountable annually for $150 billion in expenditures and a few 120 billion hours of consumed time (Vogel, Harold L. 1998. Leisure Business Economics: A Information for Monetary Evaluation. 4th ed. New York: Cambridge College Press.). Leisure as an financial sector consists of numerous services and products together with movement footage, tv, music, broadcasting, print media, toys, gaming, playing, sports activities, and tremendous arts (Thomson Gale, Leisure {industry}. Worldwide Encyclopedia of the Social Sciences 2008.). In 2017, People will purchase 1.3 billion film tickets and pay a median value of $9.60 for them, in line with PwC, representing a gradual development of 1.3 % a 12 months in admissions and a couple of % a 12 months in ticket costs stateside.

Primarily based on PwC’s World Leisure & Media Outlook, the worldwide E&M {industry}, following a pandemic-related decline in 2020, has skilled a interval of great development. The {industry} in 2026 has reached an approximate development price of US$3 trillion in revenues.

Following a 2.3% decline in 2020, the {industry} noticed a ten.4% rebound in 2021. World promoting income has elevated to $1 trillion in 2026, with digital promoting persevering with to develop, at a 6.6% or increased CAGR

The Key Progress Drivers of the leisure {industry} in Nigeria right now contains however not restricted to: 

• Video Video games: World video video games and esports income, totaling US$215.6bn in 2021, is forecasted to develop at an 8.5% CAGR to succeed in US$323.5bn in 2026.

• Over-the-top (OTT) Video: Anticipated to develop at a 7.6% CAGR by 2026, pushing revenues to US$114.1bn.

• Cinema: Projected to succeed in a brand new excessive in 2023, with revenues rising at an 18.9% CAGR from 2021 to 2026.

• Digital Actuality (VR): Forecasted to develop at a 24% CAGR to US$7.6bn in 2026.

The rising markets proceed to steer with increased CAGRs, together with Turkey (estimated 14.2%), Argentina (10.4%), India (9.1%), and Nigeria (8.8%) between 2021 and 2026. In distinction, nonetheless, conventional TV has declined at a -0.8% CAGR from 2021 to 2026.

The leisure {industry} of Nigeria

Nigeria’s leisure {industry} is a booming world power, led by Nollywood (the movie {industry}), the world’s second-largest by quantity, and a vibrant music sector (Afrobeats), each driving important financial development, worldwide cultural affect, and job creation, regardless of ongoing challenges like piracy and rising manufacturing prices, with streaming and digital platforms fueling its large growth. Leisure serves as a serious power for social and financial good, the sector gives, educates, and releases stress. The Nigerian leisure {industry} is a serious financial driver, (a quickly increasing world powerhouse), with revenues expectation of $4.9 billion in 2026. The sector contributes considerably to GDP, with over N1.97 trillion generated in 2023. Digital streaming and social media are main drivers, connecting native expertise to worldwide audiences.

The leisure {industry} in Nigeria contains the movie sector, the music sector, the comedy sector, the style and the artwork sector. Nollywood veteran, Richard Mofe Danmijo, whereas delivering a speech at Professor Pat Utomi’s Annual Lecture, on fifteenth January, 2015, titled: “Influence of Leisure on Nigeria’s Financial system”, surmised the contribution of the leisure sector to the economic system of Nigeria on this approach:  “Nollywood, the movie and video phase, is the clear chief. Within the final couple of years, our music has taken the world by storm. Our artwork is making in-roads into the worldwide market. Trend has set its footstool within the world enviornment. Life theatre has come alive and the brand new media has continued to make these totally different features of leisure out there to the world in actual time,”

Nollywood

In line with Wikipedia, the emergence of the video movie market in Nigeria is traced again to the Nineteen Eighties when tv productions thrived. Jimi Odumosu’s Evil Encounter, a 1980 horror movie launched straight on tv, was the primary manufacturing to be a pointer to how profitable making movie straight on video might be  (Wikipedia, Cinema of Nigeria. https://en.wikipedia.org/wiki/Cinema_of_Nigeria). The movie was extensively promoted earlier than being aired on the tv, and because of this, had streets flooded within the following morning with video copies of the recorded broadcast. It was reported that the movie turned an instantaneous hit at Alaba market, a industrial district which later turned the hub of video distribution on this interval and likewise finally turned the hub of piracy in Nigeria. Since Evil Encounter, it turned widespread, particularly in Southern Nigerian cities to see video copies of recorded tv programmes traded on the streets (Historical past of Nollywood”. Nificon. Retrieved 15 October 2014. http://www.nificon.org/about/history-of-nollywood/).

This technique was adopted and constructed on by producers and distributors at Alaba Market to reinvent the movie {industry}, because the Nigerian cinema tradition was going through a serious decline. The primary movie produced on video in Nigeria was 1988’s SosoMeji, produced by Ade Ajiboye. The movie was additionally screened on the few out there theatres on the time. Subsequently, Alade Aromire produced Ekun (1989) on video, which was screened on the Nationwide Theatre, Iganmu (Emeagwali, Gloria (Spring 2004). “Editorial: Nigerian Movie Business”. Central Connecticut State College. Africa Replace Vol. XI, Difficulty 2. Accessed January thirtieth, 2026) Emejulu, Obiajulu A.; Amadi, Dan Chima (December 2014). “Dwelling in bondage: A dream deferred or a promise betrayed for Igbo linguistic and cultural renaissance?”. Educational Journals. Worldwide Journal of English and Literature. Retrieved 7 April 2015).

Nonetheless, the increase skilled on this period is usually believed to have been kick began by Kenneth Nnebue’s Dwelling in Bondage (1992). Nnebue had an extra variety of imported video cassettes which he then used to shoot his first movie on a Video digicam (Nigeria’s movie {industry}, The Economist”. Economist.com. 2006-07-27.). Though Dwelling in Bondage is commonly touted within the media because the “first industrial video movie”, a number of historians have argued that the video movie {industry} was already booming earlier than Dwelling in Bondage (Nnabuko, J.O.; Anatsui, Tina C. (June 2012). “NOLLYWOOD MOVIES AND NIGERIAN YOUTHS-AN EVALUATION” (PDF). JORIND 10. 10 (2). ISSN 1596-8308. Retrieved 18 February 2015).

On the graduation of main increase within the Nineties, marked by the discharge of the direct-to-video movie Dwelling in Bondage (1992); the {industry} peaked within the mid 2000s to turn out to be the second largest movie {industry} on the planet when it comes to the variety of annual movie productions, inserting it forward of the USA and behind solely India. The movies began dominating screens throughout the African continent and by extension, the Caribbeans and the Diaspora, with the films considerably influencing cultures, and the movie actors turning into family names throughout the continent.

In line with Muyiwa Babarinde , the affect of Nigerian movies has additionally crossed past the Nigerian borders (Op-Ed Editor and MuyiwaBabarinde, Y! Report: Nigeria’s emergence as Africa’s media and leisure superpower. http://ynaija.com/y-report-nigerias-emergence-as-africas-media-and-entertainment-superpower/). Late Tayo Aderinokun, cofounder of Warranty Belief Financial institution (GTB), in a 2004 speech mentioned: “In line with the Filmmakers Cooperative of Nigeria, each movie in Nigeria has a possible viewers of 15 million individuals inside the nation and 5 million exterior. These statistics perhaps considerably conservative contemplating that half of West Africa’s 250 million individuals are Nigerians.” (TayoAderinokun, There are lots of untapped enterprise alternatives in Nigerian movie {industry}. Presentation made on the fiftieth Artwork Stampede Session of the Committee for Related Artwork (CORA) held at The Nationwide Theatre, Iganmu, Surulere, Lagos, Nigeria on Sunday March seventh, 2004.). (To be continued).

•To be continued

Thought for the week:

“The world is a stage, the stage is a world of leisure.” – Howard Dietz



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