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Home Phil Lord and Chris Miller Take a 4DX Beating While Hyping PROJECT HAIL MARY and Theater Formats — GeekTyrant
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Phil Lord and Chris Miller Take a 4DX Beating While Hyping PROJECT HAIL MARY and Theater Formats — GeekTyrant

Team EntertainerBy Team EntertainerFebruary 21, 2026Updated:February 21, 2026No Comments3 Mins Read
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Phil Lord and Chris Miller Take a 4DX Beating While Hyping PROJECT HAIL MARY and Theater Formats — GeekTyrant
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When you thought the press tour for a sci-fi epic meant a number of interviews and a purple carpet, suppose once more. Phil Lord and Christopher Miller simply strapped themselves into transferring seats, received blasted with water, and bounced round Los Angeles to point out off all of the wild methods you’ll be capable of watch Undertaking Hail Mary in theaters.

Final 12 months, Ryan Coogler gave film followers an in depth breakdown of the varied codecs for Sinners. Now Lord and Miller are doing their very own model for Undertaking Hail Mary, solely they determined to make it just a little extra hands-on. And by hands-on, I imply wind-in-your-face, seat-shaking, water-spraying chaos.

The directing duo behind The Lego Film and 21 Leap Avenue went on a mini tour of L.A. theaters to expertise their new sci-fi journey in as many codecs as attainable.

The film is definitely being launched in 12 totally different codecs. The video showcases most of them, together with the all the time intense 4DX expertise, the place the seats transfer and the theater blasts you with results like smoke, wind, and water. Watching Lord and Miller get bodily rattled by their very own film is half the enjoyable.

Right here’s the total rundown of the codecs Undertaking Hail Mary is hitting:

The video does a stable job explaining how most of those differ, from display measurement to projection high quality to sound techniques. Two codecs that don’t get a lot highlight are HDR by Barco, which delivers extremely high-end projection and audio just like Dolby Cinema, and MX4D, which is actually one other motion-enhanced expertise in the identical lane as 4DX.

The massive purpose all of this issues comes all the way down to facet ratio. Undertaking Hail Mary shifts its framing all through the movie. About two-thirds of the film takes place in area, and people sequences develop to fill considerably extra of the display in comparison with the Earth-based scenes.

Relying on the format, these expanded photographs hit otherwise. If you’d like probably the most immersive model of these area sequences, Lord and Miller appear to favor IMAX 70mm or IMAX 1:43. That’s the place you’ll actually really feel the size.

What’s cool about all that is that the filmmakers are literally taking time to clarify the variations. For film followers making an attempt to determine whether or not to shell out for premium tickets, that context helps. You’re not simply choosing an even bigger display. You’re choosing a model of the film that’s been designed to play just a little otherwise relying on the place you sit.

Based mostly on the novel by Andy Weir, the movie stars Ryan Gosling and follows a lone astronaut tasked with saving humanity. It’s a high-concept sci-fi story with humor and coronary heart, which feels proper in Lord and Miller’s wheelhouse.

Undertaking Hail Mary lands in theaters on March 20, and with a dozen alternative ways to look at it, you would possibly want to begin planning which model you’re going to strive first.



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