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Home Uma Thurman’s New “Ballet-Fu” R-Rated Action Movie Pretty Lethal Has A Sweet Central Message
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Uma Thurman’s New “Ballet-Fu” R-Rated Action Movie Pretty Lethal Has A Sweet Central Message

Team EntertainerBy Team EntertainerMarch 15, 2026Updated:March 15, 2026No Comments13 Mins Read
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Uma Thurman’s New “Ballet-Fu” R-Rated Action Movie Pretty Lethal Has A Sweet Central Message
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Uma Thurman’s newest motion film is a blood-soaked time with a shocking coronary heart to it.

Hailing from The Witcher: Blood Origin‘s Vicky Jewson, Fairly Deadly revolves round Zoe, Princess, Chloe, Grace and Bones, a gaggle of expert younger ballerinas within the midst of a dysfunctional interval, with all of them barely being on talking phrases. When their bus breaks down in a distant forest on the best way to a prestigious dance competitors, they discover themselves compelled to hunt shelter at a roadside inn run by a reclusive former ballet prodigy, who takes them hostage along with her armed troopers, pushing the dancers to put aside their variations and combat for survival.

Thurman stars within the movie as the previous prodigy and gang chief, Devora Kasimer, alongside Inform Me Lies‘ Iris Apatow as Zoe, To All of the Boys‘ Princess, A Quiet Place‘s Millicent Simmonds as Chloe, Tarot‘s Avantika and West Facet Story‘s Maddie Ziegler as Bones. Making its worldwide premiere at SXSW, Fairly Deadly has already garnered largely optimistic evaluations from critics, presently holding a 90% approval score on Rotten Tomatoes.

In honor of its debut on the competition, ScreenRant‘s Ash Crossan interviewed Maddie Ziegler, Lana Condor, Millicent Simmonds, Avantika, Iris Apatow, Uma Thurman and Vicky Jewson in our SXSW media suite for Fairly Deadly. When requested concerning the film’s use of “ballet-fu” — a preventing type mixing martial arts with dance — Jewson started by recalling her love for “how particular [the script] was to the world of ballet,” taking the time to “meet some prima ballerinas to see in the event that they actually might combat again“:

Vicky Jewson: The very first thing they informed me was that they see their our bodies and superpower as armor. I actually imagine that this was a film about ballerinas firstly, they usually’re not John Wick, they don’t seem to be fighters. So for each single combat transfer, it needed to come from a dance transfer. And that is what ballet-fu is.

This helped her get an concept of how greatest to place collectively Fairly Deadly‘s combat scenes along with her stunt workforce, who’ve labored on all the things from Ana de Armas’ John Wick spinoff Ballerina to Denis Villeneuve’s Dune motion pictures. Nevertheless, at the same time as she let the movie relish in its hard-hitting motion, Jewson needed to make sure that the film retained its central message concerning the significance of teamwork.

The director went on to seek advice from a ballet saying that, “inside a troupe, everybody’s competing for a solo, however it’s important to work collectively to succeed.” Jewson expressed that audiences “actually expertise that [idea] if you go on this journey” with Fairly Deadly‘s characters, as there’s “an enormous theme about going for a childhood dream,” even in Thurman’s villainous character:

Vicky Jewson: I feel that is what’s nice about Devora’s character, is she’s caught in that childhood dream, which is what makes it such an attention-grabbing devolution, and it is what in the end hyperlinks them. And that, for me, was very clear concerning the messaging of the movie. I needed to make a movie about girls serving to girls, and about empowerment. I used to be saying that on set on a regular basis.

Lana Condor: She would simply come up and scream, “Empowerment!” And we’re like, “Acquired it.” [Laughs]

The Fairly Deadly Solid All Had Various Histories In The World Of Dance

ScreenRant: So all people else, did it’s important to prepare? Did you could have a background?

Iris Apatow: As a younger one, I did aggressive cheerleading, which could be very completely different.

Lana Condor: Have been you a flyer?

Iris Apatow: I used to be a flyer. I used to be a flyer for a time, and it was terrifying. And it was one other sort of sport that pushes you to your restrict, after which past that. And also you’re simply anticipated to have all of it collectively, look excellent, placed on a smile. And I feel that’s simply the identical with ballet. It gave me somewhat prep for it, however there’s nothing fairly like ballet, and doing it and coming into it, even with somewhat little bit of expertise, your physique simply can by no means … It takes so lengthy to get to the purpose the place you could be like among the ladies we had been working with there. And it was simply enjoyable to get to look at them, actually, as a result of I spotted very quickly that I might not attain their stage in any respect. I am not even shut.

ScreenRant: It jogs my memory of, like in Convey It On, when that film got here out, everybody sort of began to take cheerleading extra critically. Do you hope that this movie will assist individuals sort of see what ballerinas really undergo and get to do?

Maddie Ziegler: I feel dancers, and ballerinas typically, are just like the strongest athletes I’ve ever seen. I’ve clearly felt that by way of my expertise.

Lana Condor: Oh my gosh. For me, Alvin Ailey is a good instance. Alive Ailey Dance Firm in New York Metropolis — if you go and watch them, you are watching Olympians, athletes, simply do essentially the most wonderful, virtually not possible issues with their our bodies, and it is so lovely, and I simply suppose it is the best artcraft.

ScreenRant: Dance background right here and right here?

Millicent Simmonds: No dance background. I grew up enjoying soccer truly, so I did not have any type of relationship to bounce. It was a very new world that I jumped into. And actually, it was so difficult. It was so difficult. However I used to be fortunate that I had a couple of months of coaching in Utah earlier than I acquired on set, and so we had such an exquisite and really supportive workforce. So I really feel very lucky, thank God.

Vicky Jewson: All of them signed as much as ballet bootcamp. So, in addition to coaching at house remotely, we arrange a camp for 5 weeks out, and day by day there have been lessons. We had a Lawrence Olivier Award-winning ballet director. We had our full stunt workforce, and all people simply put the hours in. It was actually inspiring.

Iris Apatow: It was summer season camp.

ScreenRant: What was ballet bootcamp like?

Avantika Vandanapu: Ballet bootcamp was nice. Additionally, Millie’s so good. I do know she’s like, I haven’t got a dance background. She has a lot grace, and is so nimble, and is like such an athlete. She had the most effective kick. However yeah, I grew up a dancer, it has been like virtually six, seven years since I left it. So it was very nice to sort of get to do it once more. And yeah, Maddie and I had been in ballet coaching in LA, and clearly that is so hysterical to be like, “I did ballet too, and I am going again to it,” and you then present up, and it is Maddie in school. And Maddie was like, “Yeah, I am rusty too.” I used to be like, “It is not going to be remotely this present day.” Rusty’s like me on my greatest day in school, at my peak, however it was so nice to no less than have some prep pre-Budapest, too.

Maddie Ziegler: Additionally, what a technique to meet one another.

Avantika Vandanapu: I do know, for certain.

Maddie Ziegler: First day we’re similar to, “Hello, and plié.”

Avantika Vandanapu: And anybody who’s been in ballet class like is aware of it is such an intimidating setting, usually, and so to fulfill somebody underneath that pretense is for certain somewhat scary, however it was so nice, and it was so good to try this in LA earlier than we acquired to Budapest, and needed to get into all of it.

Lana Condor: Completely. And I’ll say, Maddie, to your credit score, you had been so useful to all of us. You had been all the time so encouraging, you had been all the time so supportive. I bear in mind my triple pirouette on the finish, which I by no means acquired.

Maddie Ziegler: Sure you probably did.

Lana Condor: I acquired it in a single take. However Maddie was simply so encouraging, and so affected person. I’ve by no means been good at it, however it takes me a second for choreography to sink into the physique. Maddie’s very affected person. She’s like, “It is okay, you are able to do this.”

ScreenRant: Uma Thurman. I imply, inform me about simply what it was about Devora, and her story, that attracted you.

Uma Thurman: Oh nicely, to begin with, pointedly, I do not dance within the film. I danced in others, however as a result of she’s pointedly an ex-dancer, it was a thrill to work with these great younger girls, and Vicky. You realize, trying on the script, this factor might have been something. That is an unimaginable mashup of ballet, and a battle for survival. After which after I met with Vicky on Zoom, I sort of acquired an understanding that she was going to interrupt this factor out, and make this like, intense feminine empowerment, pop artwork, hyper-violent motion, I used to be like, “Whoa, this could possibly be one thing particular.” So I actually simply needed to come together with the trip, and figuring out the arduous work that these younger girls had been placing in, and the dedication to do one thing poignant, and push yourselves to type of present up for girls and ladies as energy icons. I used to be like, “Yeah. I am going to go be the dangerous man for that one.”

Maddie Ziegler: You had been additionally like, the reference for us earlier than you even signed on, we had been referencing you, so it felt extraordinarily full circle, and only a wild set.

Uma Thurman: Nicely, you had been Kill Invoice-ing away, ladies.

ScreenRant: I used to be simply gonna say, they’re Kill Invoice-ing you this time.

Uma Thurman: We want a brand new technology of energy girls.

The Pretty Lethal director and cast with Ash Crossan in ScreenRant's SXSW media suite
The Fairly Deadly director and solid with Ash Crossan in ScreenRant’s SXSW media suite

ScreenRant: I’ve had that Uma Thurman Fall Out Boy music caught in my head ever since I knew I used to be doing this interview, ‘trigger it has the road, “Dance like Uma Thurman.“

Uma Thurman: I do not know the way it occurred. I acquired kicked out of ballet class myself. I used to be too tall, my ft had been too huge, the instructor was similar to, “Gone.” Ballet academics are very imply. ‘Trigger they’ve to show excessive self-discipline and, you understand, the strategy is hard, and I used to be kicked out. So the truth that I ended up turning into recognized for some who dances, is type of humorous.

ScreenRant: So, every ballerina has very distinctive qualities, and brings one thing completely different to the desk. Can we simply run by way of and simply say what you suppose their sort of superpower is within the film?

Iris Apatow: I feel Zoe, what she brings, to no less than her relationships with the opposite younger girls within the film, is an actual vulnerability, and you’ll see all that is occurring. It is all an open wound, so I feel that’s one thing, as a result of she does not join with them as a lot as they do with one another. So, I really feel like that comes and or offers her room to bond with individuals, simpler all through the film.

Avantika Vandanapu: I feel Grace is type of the ethical compass of the group. And I feel, when it comes to how that interprets to ballet and the movie and the dance, I feel for almost all of the movie, my choreography and preventing is somewhat bit extra restrained. As a result of she has such a religious spirit and such a righteous spirit, I feel you begin to see her come out of that somewhat bit in act 2, act 3. Which I feel is enjoyable, to see somebody who’s so like, “I am good, and I wish to be good, and I would like everybody to be good” perceive that generally, being good does imply being the dangerous man.

Millicent Simmonds: I like that, truly. I feel for Chloe, her superpower is that she’s unbiased, and he or she has a variety of ardour for the artwork type of dance itself. She grew up as a dancer, and so I feel she solely has eyes for dance, and so she clearly had to surrender another issues, when it comes to household, and her relationship along with her sister, and I feel this film truly helps her open up her third eye, or one thing, and be like, “Oh my gosh, truly, I want the workforce. I am unable to do that alone.”

Lana Condor: Equally to Millie, I feel Princess’ superpower is, fairly frankly, her stubbornness and her angle. ‘Trigger I do suppose that, nevertheless cussed and sassy she is, that provides her the drive to outlive, as a result of it is virtually like she’s aggravated and inconvenienced that they are all about to die, and that is what offers her the ability to only maintain going. However I feel, equally to Millie, and with Iris, is Princess has to study that being part of a workforce is healthier than being by your self. And I feel I bear in mind once we had been filming it with Princess, I felt actually protecting over you, since you had been the youngest, proper?

Iris Apatow: Yeah.

Lana Condor: The youngest within the solid of characters. And I felt such as you helped convey out a softer facet in Princess, as a result of I felt like, “Okay, nicely, I am unable to be imply to a baby.” [Laughs]

Maddie Ziegler: After which for Bones, we talked about this a lot, and why I linked along with her a lot, however her life has all the time been survival. She’s solely needed to fend for herself. She’s very scrappy, and dance is the primary time that she’s felt at house. I feel what’s actually, actually particular about that is, equally to you, and why our characters have such a lovely arc, is as a result of she goes in completely defending herself, and that is it. She has a one-track thoughts, and it is to outlive on her personal, and by the tip, she realizes she wants the group facet, and the household to outlive, and get by way of, and it is okay to lean on others. I actually beloved that a lot about Bones.

You’ll want to dive into a few of ScreenRant‘s different SXSW protection with:

Fairly Deadly premieres on Prime Video on March 25!


pretty-lethal-2026-film-poster.jpg


Launch Date

March 25, 2026

Runtime

88 minutes

Director

Vicky Jewson




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