As Bonnie Raitt famously sings, “I can’t make you’re keen on me when you don’t.” The results of forcing somebody to just do that show horrifying in Obsession. Author-director Curry Barker, in his directorial debut, explores what the fantasy of wanting your crush to like appears to be like like in actuality when that love isn’t given freely. It’s a deeply unsettling and eerie watch, balanced by its levity. In some scenes you gained’t know whether or not to chuckle with disturbing discomfort or be horrified. It’s often the latter, however the humor reveals the absurdity of compelled love itself.
Bear (Michael Johnston) actually likes Nikki (Inde Navarrette) and hasn’t labored up the braveness to inform her, regardless of being given the chance at one level when she asks him straight. When he needs on an object he discovered at a retailer and breaks it, his want that Nikki will love him probably the most comes true. In fact, it has horrible penalties that Bear has to deal with, as Nikki begins to exhibit obsessive and disconcerting conduct.
Obsession Maintains Its Stress All through
Watch out what you would like for is an understatement in Obsession, which sees Nikki performing like a very totally different individual. She now lives solely to like Bear, who welcomes it at first earlier than issues begin getting actually bizarre. When Bear leaves her alone, she doesn’t do something however watch for him. If he desires to go to a boys evening along with his mates, she will get offended. On the identical time, we see the inner wrestle for the actual Nikki to get out, and it’s painful to look at these compelled behaviors.
Inde Navarrette is very implausible right here, shifting between genuinely creepy horror moments and sickly candy adoration. Her efficiency is splendidly layered, mixing off-putting line supply with the warped physicality this sort of position requires. The actress is a spotlight. Michael Johnston can be nice, particularly as his pet canine coronary heart eyes shift from shock and horror the longer the movie goes on.
It’s a deeply unsettling and eerie watch, balanced by its levity.
The movie turns into more and more darkish; it’s an ideal escalation in direction of a really grim ultimate act that lastly motivates Bear to really change issues. Your complete movie speaks to the absurdity of compelled love. It leans into the sexist stereotype of the “loopy girlfriend” whereas subverting our expectations. Right here, it’s Bear’s obsession with eager to be with Nikki that results in his state of affairs, at the same time as she’s blamed and judged for performing surprisingly and wildly jealous. We’re meant to see Nikki’s actions as excessive whereas understanding she is not performing freely.
The film begins off like a rom-com earlier than attending to the bloody horror of all of it. It’s a enjoyable film that completely examines sure realized behaviors relating to romance and the expectations males could have once they need to be with a girl. The horror itself is great; it’s not overdone, and Barker weaves it in naturally and successfully, including in unsettling, tense moments at what would often be common occasions — like a sandwich shock for Bear that turns disturbing or a celebration that will get only a bit too uncomfortable.
With good pacing, writing, and a stellar forged, Barker has crafted a directorial horror debut that’s deliciously darkish, absurd, and eerie. I look ahead to what he does subsequent.
Obsession premiered on the 2025 Toronto Worldwide Movie Pageant.
