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Home ‘That Was Too Many Blunts Ago’
Music

‘That Was Too Many Blunts Ago’

Team EntertainerBy Team EntertainerNovember 4, 2025Updated:November 5, 2025No Comments16 Mins Read
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‘That Was Too Many Blunts Ago’
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It was the summer time of 1992, and Ladybug Mecca, Butterfly, and Doodlebug—collectively generally known as Digable Planets—have been recording their debut album, Reachin’ (A New Refutation of Time and House), commuting backwards and forwards between Brooklyn and a studio in Jersey. They didn’t understand it on the time, however the album’s lead single, “Rebirth of Slick (Cool Like Dat),” would change their lives ceaselessly. 

Arriving in November of that 12 months, the monitor was an immediate crossover hit. It peaked at No. 15 on the Billboard Sizzling 100 chart, was licensed gold by the Recording Trade Affiliation of America 4 months after its launch, and gained the trio a Grammy Award within the Greatest Rap Efficiency by a Duo or Group class. 

With samples together with “Blow Your Head” by Fred Wesley and the J.B.’s, “Stretching” by Artwork Blakey and the Jazz Messengers, “On the Subway” by The Final Poets, and “Impeach the President” by the Honey Drippers, “Rebirth of Slick” was an undeniably easy amalgamation of jazz, hip-hop, spoken phrase components, and funk. Very like the Pharcyde and Souls of Mischief, Digable Planets was the antithesis of the gangsta rap dominating the West Coast on the time and extra aligned with the Jungle Brothers, A Tribe Referred to as Quest, De La Soul, and different members of the Native Tongues collective. 

As Digable Planets continues the thirtieth anniversary tour for his or her sophomore album, Blowout Comb, Mariana “Ladybug Mecca” Vieria, Ishmael “Butterfly” Butler, and Craig “Doodlebug” Irving dive into the making of the music, what made taking pictures the video so particular, and sudden fame. 

Digable Planets in 1994. (Credit: Adama Delphine Fawundu)
1994. (Credit score: Adama Delphine Fawundu)

Doodlebug: I used to be in between Philly and DC throughout that point. 

Ladybug Mecca: I used to be in Lengthy Island Metropolis. 

Butterfly: I feel I used to be in Philly. However that music got here later within the means of even recording. So I feel we would’ve been in New York on the time. It was one of many final songs we recorded, I feel. It was positively New York or Jersey or no matter. Some particulars are a little bit foggy from that period of time in the past, however I feel that’s it. 

Doodlebug: I used to be very excited. There was nervous power, nevertheless it was positively pleasure and pleasure. It was a brand new journey, a brand new world we about to enter. It was loopy. I used to be excited for certain. Prefer it was simply so many new experiences unexpectedly. I used to be dwelling alone, recording professionally, having a deal, and experiencing the method of recording and what’s to return. It was very thrilling. 

Butterfly: I used to be over the moon.  

That Bass Line Although…

Doodlebug: The pattern itself was a music from this group that I used to be in known as the Dread Poets Society. We used it on a music we had known as “Pores and skin Remedy.” And on the time, I had simply began hanging out with Ish. And he was telling me about this concept he had for his group known as Digable Planets. He was recruiting me and Mecca and I let him hear our demo. He appreciated that specific music, particularly that pattern. And being the cool man he was, he requested permission if he might use the pattern. So we talked to my man Bun, who had initially produced that monitor, and everyone agreed to allow us to use it. Ishmael went and flipped it, and it become the music that you already know right now. 

Butterfly: The humorous factor was that we had a single that we thought was going to be the lead-off single for the document, which was known as “Brown Child Funk,” nevertheless it had a George Duke pattern on it and we couldn’t clear the pattern, so the label was like, “Yo, y’all have to have a gap, salvo music that’s going to return out first to guide off the album.” We didn’t know if we had something from the opposite remaining songs, so that they needed us to go and attempt to do one other one. 

We was out at this studio in Jersey with these cats, Mike Mangini and Shane Faber, who actually principally co-produced the primary Digable album by actually displaying learn how to put the samples collectively. We did all of the vocals and stuff there, and every thing we did with them. I don’t actually bear in mind how we got here up with the cadences and the “cool like dat” half. It was simply one thing that was intuition. We might simply exit to the studio—and I don’t bear in mind the day or something like that as a result of on the time, we wasn’t considering it was going to be what it turned. 

In hindsight, you would possibly assume, “Oh, it’s a giant music. Inform us about how it began.” But it surely was extra similar to intuition and feeling and driving the groove and developing with one other music. I appreciated it, nevertheless it wasn’t completely different than any of the opposite songs. It was simply one other one of many 14 songs that we had accomplished. I apologize for not having the ability to bear in mind the specifics of that day or something like that, however the cadence and every thing and the “cool like dat” half was simply one thing that developed naturally from the recording of the music. 

Ladybug Mecca in March, 2025. (Credit: PhilClarkin)
Mariana “Ladybug Mecca” Vieria. (Credit score: Phil Clarkin)

Doodlebug: We spent that entire summer time going backwards and forwards from Brooklyn to Jersey. I forgot what a part of Jersey that was. 

Butterfly: We was on Bergen Line Ave. It in all probability took like three months or one thing, if I’m not mistaken. Mike and Shane, who I discussed earlier than, they have been those that basically helped sculpt the album from concepts to precise issues. So if anyone was instrumental within the shaping of something, it will be them. We went to them on daily basis, and that’s the place we made the album.  We didn’t produce any songs with different individuals or something like that. It was us with them, and that was who made that document. Clearly, sonically, when it comes to how each music sounded, it was made vocals and combined in the identical spot, so it had that cohesiveness to it. We additionally had an idea of getting interstitial issues that might are available in between songs. All of the songs principally weave into one another. There’s no pauses in between songs and stuff too. That was a conceptual concept that we had. 

Poetic Justice 

Butterfly: It was nearly bopping for me. As soon as the bass line and the beat was established, it was virtually like a horn model to it and created a cadence like that. So it was all rhythmic for me and displaying poetic prowess of utilizing language. We had this factor the place it was like, “we just like the breeze, him, they, us.” Each line began with a phrase like that, after which we constructed off of that phrase till we obtained to the subsequent one. That was a type of stylistic strategy to us, to take that first phrase after which go from there. We saved that going all through the entire music. It was type of like a poetic problem as properly. It was like, “How will you use this formulation and preserve it going all through the entire music?” It was like a flex of poetry.  

Craig “Doodlebug” Irving. (Credit score: Phil Clarkin)

The North Star

Butterfly: It ain’t simple. I personally felt like that about a number of different individuals’s lyrics and music ideas and stuff. You see issues and listen to issues that you simply like, they problem you since you obtained a inventive want in your self, and then you definitely attempt to do stuff—not essentially emulate it however to succeed in that degree of creativity that you simply’ve been impressed by. So it’s like a cycle.  

Mecca: My affect for my verse for “Rebirth of Slick” was Q-Tip. He was positively my North Star, attempting to dwell as much as his perfection, his supply, his cadence, like nuance. I didn’t really feel intimidation in any respect. Undoubtedly not with these two brothers. I feel as a result of I grew up as a tomboy, I’m very comfy round males—and girls, too—and intimidation was by no means an element. It’s not an element for me in any respect.

Doodlebug: I feel each emcee doesn’t at all times trust. I don’t at all times trust, to be sincere with you. I feel my confidence comes once I hit the stage and get the mic, as a result of exterior of that, I’m fairly quiet until I’m round a sure crew. My internal circle sees a unique facet of me. However for essentially the most half, I’m fairly quiet. However I feel via music and emceeing, it gave me a lift of confidence that I didn’t have previous to that.  

A Second in Time

Butterfly: We selected that [black and white aesthetic]. I feel the selections that we had have been the black and white and the Japanese guys within the band that was our backing band. That was a selection of ours, too. 

Mecca: Most likely due to Japan’s love for jazz music. They embraced elders in jazz with respect, so in all probability one thing like that. 

Butterfly: My mom was there. She was dwelling in Seattle and got here out. She thought me attempting to be in music was a cube roll that was not likely that sensible of a factor as a result of I had left faculty. However regardless that she felt like that, she was very supportive of me, and anytime one thing I used to be into musically, she would come and get entangled. She’s since handed away, in order that being the primary video that we made, the truth that she was there’s a very huge reminiscence of that day for me. And he or she was enjoyable. She was within the video and kicking it with individuals and a number of our pals have been there and stuff like that. It’s a superb reminiscence for me. 

Mecca: This taught me one thing crucial. So the make-up artist, you already know, I didn’t have a number of expertise with sitting within the chair of a make-up artist. And this lady I do know with all good intention, plucked most of my eyebrows out with out asking me and penciled them in, gave me eyebrows after that. I used to be mortified, nevertheless it taught me to preemptively have a dialog, and focus on what’s going to occur in every other situation. It was a little bit traumatizing. I used to be upset. I cried even, off to the facet. 

Doodlebug: That was too many blunts in the past [laughs]. I do bear in mind being very proud, and a number of my pals from Philly got here up. I used to be hanging out behind the scenes. I felt proud and achieved as a result of all of us had that dream. All of us sat round watching Rap Metropolis and to have an expert video being accomplished and being part of one thing at the moment to me felt so huge. It was so otherworldly, and I used to be simply proud that my pals have been there and so they noticed us doing our factor, doing every thing that we dreamed of attempting to do. 

Butterfly: Doodlebug went viral, too, together with his little dance. If it had been right now, he would have went viral with that. 

Doodlebug: Each time I take a look at it now, I crack up, man. It simply cracks me up.  

Butterfly: Yo, that shit was fly, bro.  

Ishmael Butler. (Credit: Phil Clarkin)
Ishmael “Butterfly” Butler. (Credit score: Phil Clarkin)

Increase Goes the Dynamite 

Butterfly: It was a thoughts blower for me as a result of to say there was no ensures of any kind of success in these days is an understatement. For each 10 teams that was in a position to document and put a video out, I’d say possibly considered one of them would even achieve success in any type of approach. It turned a whirlwind quick as a result of as soon as one thing caught on, every thing began occurring. We went from simply going to the studio and hoping to really being within the state of affairs and being lively actual fast. We went to London and got here again, and by the point we obtained again from London, which we was solely over there for per week or two, every thing has modified with the music and the video was taking part in. It was a music that was making noise. You gotta play it cool and take all of it in stride. However whenever you laying in mattress some nights, you similar to, “Rattling, this shit is de facto, actually occurring.” It was loopy. 

Doodlebug: Fame was loads more durable to get again within the day than it’s now. Now, it’s a little bit simpler due to the social media platforms. Again then, there have been a number of gatekeepers you needed to undergo to get to that degree of movie star that you could possibly be well-known. Numerous occasions you didn’t even know what your favourite artist seemed like. It was completely different in a approach. Not good or dangerous completely different, however occasions change. It was simply completely different. It was bizarre at first. I loved it. It’s pleasurable on sure ranges, however I by no means obtained to any kind of fame degree the place I couldn’t exist in society. Like there are specific ranges like Beyoncé, the place individuals which are on such a degree that they’ll’t even exit in public with out everyone swarming them. I by no means, ever skilled something like that, however the ranges we did expertise, some have been very respectful. I’d say 99% have been respectful. There have been just a few that weren’t, however for essentially the most half, it was cool. I might do with out fame, to be sincere with you. I simply need to do the music and get the cash [laughs]. The celebrity half is a headache. 

Doodlebug: We get pleasure from interacting with our followers. Our true followers, we at all times, for essentially the most half, I’d say 99% of the time, we exit and discuss to our followers. There is perhaps some particular events the place we’re drained or we obtained to move off to the subsequent metropolis or no matter, one thing, or now we have interviews. However for essentially the most half, we exit and attempt to work together with our followers. It’s considered one of my favourite elements of the present.  

Butterfly: The extent of fame that I ever achieved is one thing like, she was saying like, I can go do no matter I need to do on my own. Even when someone acknowledges me, which isn’t actually that always, it’s by no means encroaching on my world. It is perhaps a fast little dialog or a flick or one thing. However on the exhibits, it’s at all times love and respect and pleasure, so it’s cool to work together with them, discuss to them, hang around for a couple of minutes, and take some pics. So truthfully, the celebrity that I’ve achieved in life has simply been enjoyable and by no means actually a drag, you already know what I imply? It’s at all times been one thing that simply made me perceive that I’ve been fortunate. So at that time, it’s similar to, it ain’t actually no issues, you already know? However that’s as a result of I’m not a celebrity. I’m simply someone that did one thing that some individuals learn about. If I stroll out in a day, it is perhaps as soon as a month, someone be like, “Hey, ain’t you such and such?” It ain’t actually no huge deal.  

(Credit score: Adama Delphine Fawundu)

The Present That Retains on Giving 

Doodlebug: Performing usually is simply remedy. I get on stage, you get direct response out of your followers. They’ve seen you watch and so they carry out and also you get a direct response. There’s no delay within the response and the reciprocation of affection and vibrations between you and the individuals listening to you, so I really like that. I really like performing and it makes it really easy and really extra enjoyable whenever you do it with two individuals that you simply respect and have identified for over three many years. I find it irresistible. It may very well be any of our songs. It’s nice to carry out “Cool Like Dat” as a result of often that’s the tip of our set, and the gang goes wild. As a result of even the part-time followers that don’t actually know an excessive amount of about us, all of them know that music. The hardcore followers know all of the joints, however there’s just a few individuals come via, and so they’re like, “Oh, OK.” If my physique permits me, I’d do that ceaselessly. 

Butterfly: For me, it’s fairly wild as a result of [“Cool Like Dat”] is so ingrained in my DNA that that verse of mine is one thing that I really feel like I’ll by no means, ever, ever neglect. There’s been some occasions once we’ve had exhibits after a break, after which I often attempt to brush up on every thing, however typically you don’t get an opportunity to. When that half comes, I’m like, “Oh, do I bear in mind mine?” And it’s so second nature. I might assume that I forgot it, however I’ll nonetheless bear in mind. It actually has turn into over these years part of my bodily make-up and my psychological make-up. It’s fairly particular for the music to be part of me like that. Performing it, I find it irresistible. It feels so good. It’s like attending to dwell a dream so many occasions a 12 months is loopy. 

Mecca: Generally I’ll hear artists speak about how they simply hate performing like their quote-unquote hit document, nevertheless it’s not like that for me. That music gave us this lovely blessing of a life and profession to journey the world and expertise tradition to share our creativity. I really like performing and I particularly have deep reverence for that music particularly.





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