Diddy‘s sons, Justin and Christian Combs, are set to interrupt their silence on their father’s authorized drama in a brand new docuseries.
The Combs brothers introduced on Sunday (December 28) that they’re partnering with Zeus Community for the as-yet-untitled sequence, which is about to premiere in 2026.
The trailer exhibits Justin and Christian sitting at house watching information protection of their dad’s high-profile legal trial, which resulted in him being sentenced to over 4 years in jail on prostitution-related fees.
The 2 siblings then reply a gather name from FCI Fort Dix, the New Jersey penitentiary the place their father is at present serving his 50-month sentence.
Justin and Christian Combs have remained loyal supporters of Diddy regardless of the varied allegations which have been made in opposition to him within the final two years, which vary from sexual assault to bodily violence, particularly in opposition to ladies.
Final yr, Christian, who raps underneath the moniker King Combs, hijacked his father’s Instagram account and reminded the world of his optimistic contributions to hip-hop tradition in an try to reshape the narrative surrounding him.
The video, which coincided with Puffy’s fifty fifth birthday, contained a montage of a few of the Dangerous Boy boss’ greatest hits together with 1997’s “It’s All In regards to the Benjamins.”
“Yo, wassup y’all? It’s King Combs. And proper now, I’m taking on my pops’ Instagram. We gonna be posting movies, spreading good vitality and taking y’all down reminiscence lane of all of the optimistic issues he did,” Justin mentioned within the clip.
Justin and Christian’s docuseries announcement comes on the heels of fifty Cent and Netflix’s personal documentary analyzing Diddy’s contentious rise to fame and cataclysmic fall from grace.
Government produced by 50, Sean Combs: The Reckoning has not been nicely obtained by the mogul who filed a stop and desist letter following its premiere earlier this month arguing for it to be pulled from streaming.
Diddy slammed the four-part sequence as a “shameful hit piece” that makes use of “stolen footage that was by no means approved for launch.”
