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Home 28 Years Later Sequel Director Explains Her ‘Great’ Film’s Box Office Failure
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28 Years Later Sequel Director Explains Her ‘Great’ Film’s Box Office Failure

Team EntertainerBy Team EntertainerMay 6, 2026Updated:May 6, 2026No Comments2 Mins Read
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28 Years Later Sequel Director Explains Her ‘Great’ Film’s Box Office Failure
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The important response for 28 Years Later: The Bone Temple was euphoric, viewers scores have been glowing, and but, when the numbers rolled in, they instructed a really completely different story. Filmmaker Nia DaCosta opened up in regards to the shocking field workplace stumble of a movie she stays fiercely pleased with.

Nia DaCosta reacts to twenty-eight Years Later: The Bone Temple’s field workplace

When filmmaker Danny Boyle and author Alex Garland resurrected the trend virus, their imaginative and prescient was larger than a single film. The plan was an formidable trilogy, with Boyle directing 28 Years Later and DaCosta stepping in to direct the second, The Bone Temple, shot back-to-back. The primary movie roared into cinemas with important adoration and a hefty $151 million worldwide haul. Then January got here, and 28 Years Later: The Bone Temple field workplace tally stopped at $58 million globally. It’s roughly a 3rd of its predecessor’s efficiency.

Nia DaCosta expressed real confusion over the disconnect between reception and income. “It’s so humorous, as a result of actually each barometer we use within the business to find out whether or not or not a film is nice, and folks prefer it and need to see it, was by way of the roof, and but our field workplace wasn’t there,” she instructed Empire. “I made an ideal movie, and I’m actually pleased with it, and folks preferred it,” the filmmaker added.

Puzzling over what went flawed, DaCosta floated one believable idea in regards to the fast launch technique. With solely months separating the 2 movies, audiences could have merely felt the 28 Years Later sequel got here earlier than anticipation may rebuild. She recalled telling individuals in regards to the follow-up, solely to listen to, “Oh yeah, I noticed that final summer time!” Her reply was a obligatory correction,  “No, no, so there’s a sequel!”

Regardless of the disappointing figures, DaCosta leans on a perspective that predates Hollywood’s mathematical scorekeeping. “I used to be upset. However I additionally was like, ‘I’m so completely happy that when individuals discover the movie, they’re going to benefit from the movie.’ I want it made more cash, however I’m actually pleased with it,” she concluded.



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