A pre-fame Brian Johnson acquired some invaluable recommendation from Roger Daltrey when the 2 crossed paths in 1973. He additionally marveled on the Who frontman’s equestrian prowess.

Their probability assembly was backstage on the British music tv program Prime of the Pops. Johnson was there along with his pre-AC/DC band Geordie to advertise their new tune “All Due to You,” whereas Daltrey sang his debut solo single “Giving It All Away.”

“After the taping, [Geordie] went to the inexperienced room once more for a few beers, totally anticipating to get thrown out after an hour for not being well-known sufficient,” Johnson writes in The Lives of Brian, which hits cabinets on Oct. 25 in the US. “Nevertheless it did not occur — most likely as a result of Roger unexpectedly launched himself to us on the bar. ‘Good day lads, how are you doin’?”

“I used to be intimidated at first,” Johnson provides. “I imply, the man was an absolute icon, and he was carrying the best flared dungarees with simply his suntan beneath and a golden crucifix round his neck — however he turned out to be an everyday lad, and he could not have been friendlier. Actually, he went out of his solution to inform me that I had ‘nice pipes’ — which, coming from the man who’d sung ‘Will not Get Fooled Once more,’ was the best praise I would ever been given.”

After their performances, Daltrey invited Johnson to his home that Sunday to have lunch and a chat. It was a no brainer for Johnson, who on the time was sharing a “filthy council flat with mattresses on the ground” along with his bandmates in London.

Johnson was suitably awed when he arrived on the palatial coastal house belonging to Daltrey, who made his entrance in type. “Immediately I heard the thud of approaching hooves, and once I appeared up, I used to be handled to essentially the most sensational sight — an attractive white horse galloping in the direction of me, no saddle, ridden by a bare-chested and barefoot man in powder blue denims, with lengthy, golden curly hair,” Johnson remembers. “He appeared to be holding on to the horse simply by its mane.

“If this is not rock star, I assumed to myself, I do not know what’s.”

Daltrey additionally gave Johnson a sneak peek at a bit of rock historical past. “‘[Pete] Townshend’s outdone himself this time,’ he stated. ‘I simply obtained this again. See what you suppose.’ It was a studio tape of the Who’s new album: Quadrophenia.”

After lunch, Daltrey defined why he’d invited Johnson to his home. “You instructed me that you just had been residing in a grimy flat in Hackney,” he stated. “Effectively, me and the missus went by way of all of that. So, I wished to convey you right here and present you what you are able to do when you stick at it, as a result of there’s actually no straightforward method — and if our paths by no means cross once more, I simply need to say that I actually hope all the pieces works out for you.”

Johnson stated that “what struck me most was that you might inform he actually meant it. From one singer to a different — regardless that he was this large rock star, and I used to be only a man in a struggling band from Newcastle — he genuinely wished me to succeed. ‘The key is,’ he added, ‘do not quit. By no means quit.'”

“All Due to You” reached No. 6 within the U.Okay. after Geordie’s Prime of the Pops look, turning into their first and final Prime 10 hit. “Afterward, when the lean years hit and my days of fame pale like a politician’s promise, there have been instances when Roger’s phrases had been a distant reminiscence,” Johnson writes. “However I clung on to all of them the identical, by no means giving up hope, even after my 30s crept up on me and kidnapped my 20s – even after I had to surrender being a musician and get a ‘actual job’ once more.”

Evidently, Johnson’s persistence paid off. By the daybreak of the ’80s, he could be some of the profitable rockers on the earth. As for his relationship with Daltrey, he writes, “In the meantime, I am blissful to report that our paths did cross once more. Actually, we nonetheless speak to at the present time.”

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