A YEDM favourite by now or his endlessly attention-grabbing experimental preparations and chaotic range each in his musical compositions and his multimedia movies, Chris Ianuzzi is now diving head-first into an space many artists are simply beginning to poke round: AI artwork and movies. Since his acclaimed Maze LP was dropped single by single ending in April of this 12 months, Ianizzu hinted he can be doing an analogous development with movies, and he’s formally into that mission with the discharge on November 4th with “Lonesome Freeway Famous person,” the second video from the Maze mega-album.
The only “March of Insanity,” launched as a particular video that was the fruits of Maze, was truly the primary video on which Ianuzzi and his staff utilized AI know-how, each within the animation and the morphing of the faces. “Lonesome Freeway Famous person” is the primary, nevertheless, that’s nearly totally A.I.-created. Made in collaboration with the identical graphic artists who labored on “March of Insanity,” İlke Köse and Ethem Serkan Sökmen, this video utilized each Disco Diffusion and Steady Diffusion AI picture era. Between the 2 strategies, the staff created a video that feels each surreal and hyperreal, with trippy, abstrac types morphing into photorealistic characters and vice versa.
The inspiration for this, based on Ianuzzi, was a type of space-themed model of The Street Warrior.
My preliminary concept for a video was a ‘Street Warrior’-type video with a beat up automotive on a desert freeway. After I considered this and noticed what Serkan andİlke did with AI in making the video “for March of Insanity,” I assumed it was time to seek for one thing totally different. I assumed, let’s put the character in house and make the journey Cosmic. I shared my ideas with them and off they went.
The video appears to seize the sense of lonliness paired with surprise Ianuzzi was making an attempt to connote within the observe as nicely, with the extra formless visuals being lovely and awe-inspiring however finally chilly and sterile, particularly as soon as the POV shifts to the human types. Wearing house fits and nonetheless created by AI as they’re, the humanness of their motions and play on the “desert freeway in house” is a stark distinction to all of the viewer has seen so far. Regardless of these photos not being almost as spectacular because the extremely styled “house” photos, there’s extra of a connection to them than anything within the video, and it appears far too brief a clip.
The video ends with a query, as a warped photorealistic spaceship tries to construct and rebuild istelf again and again inside this hyperreal however clearly not actual house: will we ever be capable to totally coexist with AI, or, for that matter, every other types of intelligence, whether or not terrestrial or additional? It stays to be seen at this level, however the reply might not be too far off because the technolog continues to develop. Within the meantime Ianuzzi sees all of it as the identical query: once we always attain out for extra, whether or not or not it’s AI, house, and even simply in search of companionship on a desert higway, are we simply serving to extra totally isolate ourselves? That’s a extra everlasting query, and it appears the “Lonesome Freeway Famous person” doesn’t have the reply fairly but.
Go to Chris Ianuzzi’s YouTube channel to see “March of Insanity” and different movies. Maze and the remainder of his discography are streamable on Spotify.
