For a man whose foremost entry into moviemaking was a sequence of snowboarding documentaries, Ruben Östlund has carried out very nicely for himself. In a interval of simply eight years, he has taken the Cannes Movie Pageant, and subsequently the worldwide movie world, by storm — all resulting in the Swedish native’s first English-language movie Triangle of Unhappiness, which introduced him his second Palme d’Or in simply 5 years. It now has main Oscar buzz.
His first Palme got here for The Sq. in 2017, which additionally earned him an Oscar nomination for Finest Overseas Movie. In 2014, he received a jury prize for the Un Sure Regard entry Drive Majeure, a film that sparked such a dialog that Searchlight took the remake rights and it grew to become the idea for Downhill starring Julia Louis-Dreyfus and Will Ferrell.
Östlund joins me for this week’s version of my Deadline video sequence Behind the Lens, the place we talk about his unbelievable success at Cannes and all that has led to — together with this primary movie not in his native language. With Triangle of Unhappiness he has opened many new doorways, and he talks in regards to the inspiration for it and the socially important impetus that drives his filmmaking.
To observe our dialog, click on on the video above.
Be part of me each Friday throughout Oscar season for one more episode of Behind the Lens.
