Welcome to Sound Station, the place we’re highlighting the most effective new tracks that got here out this week. Head into the weekend with songs from Vagabon, M83 and extra.

Vagabon groups up with Rostam for a stunning indie-pop single

Brooklyn-based singer Lætitia Tamko, who performs as Vagabon, is again along with her first solo single since her 2019 self-titled debut. This time round, she teamed up with indie-pop aficionado Rostam, who’s labored with the likes of Charli XCX, Clairo, and HAIM, since departing Vampire Weekend. Collectively, they make indie-pop magic with an ethereal observe that includes effervescent drum machines. As she sings about discovering private development and a brand new perspective, we won’t assist however get excited for no matter else is subsequent for the artist and her glistening new sound. —Sadie Bell

M83 “Oceans Niagra” is a transcendental journey by means of the glory of the ‘80s

French synth-pop trailblazers M83’s newest single “Oceans Niagra” is giving severe Saturdays = Youth vibes with its transcendental ‘80s-inflected soundscapes, which is a deal with in and of itself. Whereas “Oceans Niagra” could not function the inescapable hooks of their 2011 breakout hit “Midnight Metropolis,” it depends on the facility of continually constructing stress, restraint, and room for lush sonic climaxes that convey emotion, even within the absence of lyrics. “Oceans Niagra” manages to suit a number of style parts starting from shoegaze, dream pop, and, in fact, retro electronica into the four-and-a-half minute observe the place each new addition looks like an intentional brush stroke to finish a posh murals. —Alessandro DeCaro

Shalom’s “Happenstance” is an indie-dance anthem for outsiders

Shalom is looking for her place on the planet. Overtop a mesmeric groove on her new single “Happenstance” — off her debut LP, Sublimation, out March 10 through Saddle Creek — the Brooklyn artist makes one factor clear: “I’m ready for the day that I can lastly stroll away from all this bullshit.” All through its three minutes, Shalom turns into torn between eager to disappear fully and receiving acceptance from her friends (complemented by a strong video that sees her current in two totally different worlds). —Neville Hardman

Andrew McMahon within the Wilderness’ “Mendacity On The Hood Of Your Automotive” is a love letter to the daydreamer inside

Andrew McMahon within the Wilderness’ newest single “Mendacity On The Hood Of Your Automotive” is unapologetically nostalgic to convey the all too acquainted moments of our youth spent daydreaming about the potential for a vibrant future that lies forward. The lyrics instantly evoke recollections of the long-lasting scene from the 1992 basic comedy Wayne’s World, the place greatest buddies Wayne and Garth sit atop a automotive close to the airport tarmac whereas fantasizing concerning the pleasure of younger love and leaving their small city to chase the open highway — each of that are subtly referenced within the music itself. McMahon, who has had fairly the numerous musical profession, additional leans into the synth-driven, alt-radio sound that he has been exploring over time to good outcomes. —Alessandro DeCaro

One Step Nearer’s “Flip To Me” is a homesick anthem for highway canine

Melodic-hardcore unit One Step Nearer have all the time been open concerning the influence fellow Wilkes-Barre, PA natives Title Struggle had on the younger band from the beginning. Past performing Title Struggle’s basic observe “Crescent Form Melancholy” on the 2022 Sound and Fury Competition, One Step Nearer are channeling the legendary band’s affect but once more on “Flip To Me,” the second observe from their reflective new EP, Songs for the Willow. Frontman Ryan Savitski wrestles with the passing of time and absence from main life milestones on account of his hectic touring cycle, themes that characterize Songs for the Willow as an entire. “Flip To Me” possesses the catchiest refrain the band has written so far — and we are able to’t wait to see the place they head subsequent. —Alessandro DeCaro

M(h)aol’s “Remedy” proves the band must be in your radar ASAP

This week, the Irish band M(h)aol (which is pronounced “male”) introduced that their debut album, Attachment Types, is due out Feb. 3 and shared the only “Remedy.” The post-punk band have been catching the eye of critics and energizing followers with their politically charged music for some time now, however “Remedy” ought to be greater than sufficient to get you into the band when you weren’t already acquainted. Whereas the guitars will get you right into a groove, vocalist Róisín Nic Ghearailt’s brazen supply is sufficient to cease you in your tracks, as she sings about any person being the explanation one is in remedy. “You realize you actually fucked me up, however I do not suppose that you simply care,” she sings, and, boy, does it sting. —Sadie Bell

Gradual Fiction’s “Within the distance, the place it doesn’t matter” will transport you to NYC’s ‘00s indie scene

It looks like a sure power has began fueling the New York music scene with the return of dwell music and rising crop of bands prior to now few years — in some ways, rivaling the early ‘00s scene. Gradual Fiction are one of many newest additions to the scene, and their sound calls again that iconic aughts period. On their newest single, “Within the distance, the place it doesn’t matter,” singer Julia Vassallo even mirrors Karen O’s melodic snarl. Let their garage-rock guitars and the music’s enthralling crescendo offer you a way of catharsis (and even make you dance). —Sadie Bell

Jessie Murph will get trapped in a poisonous cycle on “About You”

It’s onerous to imagine that Jessie Murph is just 18, because the singer possesses a confidence and directness that belies her younger age. With new single “About You,” off her forthcoming debut mixtape, drowning, Murph exhibits an much more susceptible facet to her blooming artistry. She captures a narrative of a vengeful poisonous cycle in below three minutes, singing of a doomed and fractured relationship that’ll have an all-too-familiar sting for some. —Neville Hardman





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