Dream Girl 2 Review Dear Ayushmann Khurrana, David Dhawan Called And He Wants His Script Back

New Delhi: Ayushmann Khurrana undoubtedly sought revenge on us for not graciously watching his movies, akin to ‘An Motion Hero’ (2022) and even ‘Gulabo Sitabo’ (2020), which have been his best works. He’s now shrinking again into his shell as a result of we let him down when he ventured exterior of his consolation zone. In flip, ‘Dream Woman 2’ is now on the market. For Khurrana’s followers, that is dangerous information.

The actor, who challenged the prevailing narratives of Bollywood movies along with his social message dramedies and entered the scene extra like a storm than a breath of contemporary air, has been driving the automobile lengthy sufficient to have drained up all of the gasoline by this level. Due to this fact, the fake ‘wokeness’ of his screenplays (even with an intensive disclaimer just like the one Dream Woman 2 has) shouldn’t be sufficient to make one sit by way of some juvenile quips, crash humour, and under-the-belt puns.

‘Dream Woman’, the primary movie Raaj Shaandilyaa directed in 2019, launched an interesting storyline to the viewers, they usually readily embraced it regardless of its quite a few shortcomings. After 4 (lengthy) years that witnessed the rise of really groundbreaking OTT content material and a shift in viewership within the post-Covid period, Khurrana wanted greater than ‘nazakat’ and two oranges stuffed in his bra to get glowing evaluations.

Shaandilyaa brings again Ayushmann as Karam (and Pooja) however takes it up a notch. After beginning as a fast hustle to become profitable for her indebted father Jagjit (Annu Kapoor), issues have now gone out of hand sufficient for Karam to don lehengas and wigs and begin dancing in bars. 

Ananya Panday reveals up as Pari, Karam’s love curiosity, changing Nushrratt Bharuccha. And in case you thought Bharuccha’s position within the earlier film was ornamental, simply wait till you see Panday. She makes an effort to painting a loud, small-town lady, however she will be able to’t shake her SoBo manner. Nonetheless, the 2 lovers want to get married, and in probably the most clichéd plot twist, the heroine’s father units up a hurdle. He tells Karam to amass extra than simply ‘roti, kapda, aur makaan’, as a result of solely then would he be prepared for ‘kanyadaan’ (simply to get you on board with the movie’s awful gags).

In an effort to determine a method to get wealthy, Karam asks for the recommendation of his greatest buddy Smiley (Manjot Singh), who will get him a job at Sona’s (Vijay Raaz) bar. Smiley proposes one other scheme simply as we’re adjusting to the unsettling scenes of Pooja luring Sona. He needs to marry Sakina, however her father, Abu Saleem (Paresh Rawal), has a special set of calls for. Solely when her brother Shah Rukh (Abhishek Banerjee), who’s ‘depressed’ after dropping the love of his life, marries, they will tie the knot.

The director introduces ample subplots in a film that runs for greater than 130 minutes, and he ultimately forgets about them. Whereas Karam is preoccupied with concealing his id whereas staying away from his now-husband Shah Rukh, he unintentionally catches the eye of the lads in his neighborhood, particularly Sona (Vijay Raaz), Tiger Pandey (Ranjan Raj), Abu Saleem’s step-son Shoukiya (Rajpal Yadav), and even his sister Jumani (Seema Pahwa). We can’t go into breaking down the sub-plots that even Shaandilyaa struggled to convey collectively easily. Nonetheless, ‘Dream Woman 2’ finally ends up being a sloppy muddle solely because of the narrative’s stacked plot twists, which pop up each 5 minutes or so.

The seasoned actors are wasted in portraying a personality that they undoubtedly discover absurd whereas performing, which is tedious and uninteresting to behold. The screenplay is bursting with foul humour, starting from fats shaming to slut shaming. Sadly, after watching current flicks on digital platforms, the Ayushmann Khurrana film seems to be merely a modernised model of a 90s crash comedy. One can’t make the argument that the actor’s efficiency was the saving grace. Despite the fact that Khurrana pushes extraordinarily exhausting to convey out feelings within the scenes (and it reveals), it generally feels as if he himself lacks religion in his character. In a nutshell, if anybody plans on making a remake of Aunty No. 1, we already have it within the guise of ‘Dream Woman 2’. 

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