Because the fiftieth anniversary of hip-hop involves an in depth, the Recording Academy has one final trick up its sleeve to honor the pillars of the tradition.
The Academy joins forces with CBS for “A Grammy Salute to 50 Years of Hip-Hop,” an aural spectacular that’s as a lot an ode to the tradition as it’s a documentation of it. All through the two-hour particular (airing Sunday night time from 8:30-10:30 p.m. ET/PT, with dwell and on-demand streaming on Paramount+), rappers and DJs from all walks of life come collectively to have fun what began within the Bronx within the Nineteen Seventies and unfold the world over, charting its influence by means of a powerful lineup of rappers, beatboxers, dancers, DJs and presenters.
The particular, filmed at Inglewood’s YouTube Theater on Nov, 8, contains a laundry checklist of performers spanning each a long time and areas. Only a sampling of the artists: Queen Latifah, Widespread, Public Enemy, Rakim, Doug E. Contemporary, MC Lyte, Rick Ross, Jeezy, Jermaine Dupri, YG, Too Brief, E-40, De La Soul, Akon, Black Thought, Nelly, Gunna and Probability the Rapper every take turns rocking the mic, dropping a verse or two throughout medley performances that convey the breadth in fashion and substance in rap music.
One of many extra notable moments comes on the finish, when Will Smith — aka the Contemporary Prince — reunited with DJ Jazzy Jeff for a medley of each solo and collaborative hits. Questlove, greatest often known as the drummer for the Roots, offers a glowing introduction to the pair, who have been the primary hip-hop act to obtain a Grammy award for hip-hop in 1989 with “Dad and mom Simply Don’t Perceive.”
“In a 12 months and an evening filled with hip-hop moments, this can be a large one,” says Questlove. “I grew up idolizing these two from my hometown of Illadelpho. They have been the primary artist to ever obtain a Grammy award for hip-hop. Again then, they weren’t invited to carry out or settle for their award on digital camera, which led to the hip-hop neighborhood sitting issues out that 12 months. However fortunately, a 12 months later, their hip-hop invitation did present up they usually did turn into the primary hip-hop group to ever carry out on the Grammy Awards. And tonight, as a fan, as a pal, from means again in Philly, let’s welcome to the Grammy stage, the incomparable, the wonderful, the legendary, DJ Jazzy Jeff and the Contemporary Prince!”
With Jazzy Jeff poised behind the turntables on an elevated podium, Smith kicks issues off with “Model New Funk,” a reduce off their 1988 sophomore album “He’s the DJ, I’m the Rapper.” Decked in an all-red ensemble with a Philly’s cap to match, Smith offers a quick tour of his discography, flanked by backup dancers for “Gettin’ Jiggy With It” and “Miami.” As he performs, his spouse Jada Pinkett-Smith and kids Willow and Jaden watch from the viewers. It wouldn’t be a replete retrospective with no rendition of the theme music to his TV present “The Contemporary Prince of Bel-Air,” and the duo retains it transient with a concluding efficiency of “Summertime,” their highest-charting single, which earned them their second Grammy in 1992 for greatest rap efficiency by a duo or group.
However the particular packs extra than simply its marquee finisher. Flowers are given to the early queens of hip-hop, who kick off the present with a who’s who of veterans and newcomers. Latifah, who seems quite a few instances all through the published, joins Monie Love for his or her 1989 single “Girls First.” What follows is one thing of a historical past lesson: Sha-Rock’s verse from Funky 4+1’s “That’s the Joint,” J.J. Fad’s “Supersonic,” Roxanne Shante’s “Roxanne’s Revenge” and MC Lyte’s “Cha Cha Cha.” They sprinkle a little bit of extra fashionable fare into the combo, with Remy Ma ripping by means of “All of the Approach Up” and Latto delivering “Put It on Da Flooring.” To the music title’s credit score, all of the rappers come out on the finish to affix Latifah for “U.N.I.T.Y.,” an empowerment anthem addressing the inequity of and disrespect in direction of ladies in on a regular basis society.
The eye quickly turns to the south. “Fifty years in the past, when hip-hop began, it was all in regards to the East Coast and West Coast,” says presenter Chloe Bailey. “However then, the soiled South entered the chat.” Curated by Jermaine Dupri, whom Bailey known as “the perpetually mayor of the ATL,” the efficiency swings the highlight across the rappers who helped outline and propel Southern hip-hop into the mainstream. Jeezy, T.I. and Three 6 Mafia all run by means of verses from a few of their greatest hits, whereas UGK’s Bun B shout out the late Pimp C throughout “Int’l Gamers Anthem.” GloRilla and Boosie Badazz take part earlier than 2 Stay Crew’s Uncle Luke shut it out with “Scarred” and “I Wanna Rock.”
Public Enemy has its personal second, deservedly so, with an introduction from host LL Cool J. The Grammy Lifetime Achievement nominees are joined by Questlove on the turntables throughout a few of their greatest hits, together with “Combat the Energy,” “Deliver the Noise” and “Don’t Consider the Hype.” Taste Flav and Chuck D deliver the identical impassioned fireplace that they’ve had since debuting within the mid-Eighties.
The medleys carry on coming. Seth Rogen introduces a West Coast section, which options essentially the most strong lineup of the night. With DJ Battlecat on the decks, Warren G kicks it off together with his traditional “Regulator” earlier than passing the mic to Luniz for “I Acquired 5 on It.” The hits simply carry on coming, with Woman of Rage, YG, Tyga, Rody Ricch, DJ Quik, Yo-Yo and Cypress Hill performing a few of their greatest songs. The medley ends within the Bay, with Too Brief’s “Blow the Whistle” and E-40’s “Inform Me When to Go.”
The particular, which additionally options vignettes of Lin Manuel-Miranda and Jelly Roll speaking about after they first fell in love with hip-hop, pays homage to the Native Tongues, a free collective of artists within the Eighties and ‘90s that leaned on progressive ideology and jazz-inflected beats. In opposition to the backdrop of a library, the performers sit at tables awaiting their flip to take the lead. What follows is a spotlight reel of the motion’s touchstones: Widespread’s “I Used to Love H.E.R.,” Arrested Folks’s “Folks On a regular basis,” Digable Planets’ “Rebirth of Slick (Cool Like That),” Black Sheep’s “The Alternative Is Yours,” Talib Kweli’s “Get By,” Latifah’s “Wrath of My Insanity,” the Pharcyde’s “Runnin’” and De La Soul’s “The Bizness” with Widespread.
Actress Regina Corridor tees up a efficiency from Huge Daddy Kane, Black Thought and Rakim, whereas Akon leads the cost for a global section with renditions of “Locked Up” with Types P and “Soul Survivor” with Jeezy. Blaqbonez makes an look midway by means of for “Like Ice Spice,” surrounded by dancers who dressed like Selection cowl star Spice with a pink afro, inexperienced tube prime and cutoff jean shorts, simply as she wears within the video for “Munch (Feelin’ U).”
Doug E. Contemporary beatboxes his means by means of a celebration of the lives of people who hip-hop tradition has misplaced, naming DMX, Nipsey Hussle, Tupac Shakur, Mark the 45 King and De La Soul’s Trugoy the Dove. Machine Gun Kelly introduces the next slate of artists with a private anecdote. “The best factor to occur to me in addition to me turning into a father is hip-hop,” he says. “It was there for me once I was unhappy, once I was mad on the world, and most significantly, within the seventh grade when a woman determined to bop on me to ‘Sizzling in Herre’ by Nelly. Thanks. To me, hip-hop has all the time been the lifetime of the social gathering, and the social gathering is simply getting began.”
And the social gathering continues, with yet one more medley, this time led by 2 Chainz for “Birthday Track,” little doubt a reference to the anniversary at hand. Gunna, Coi Leroy, Nelly and Rick Ross share the stage earlier than Probability the Rapper brings again out 2 Chainz for the ebullient “No Drawback,” with the aforementioned rappers reemerging on stage.
The night time ends on a constructive observe from Harvey Mason Jr., who seems again on the occasion to contextualize it within the framework of the tradition that introduced them right here. “Now it’s no coincidence that we’re all right here presently with a lot stress and a lot division and ache on the earth, however this music is the antidote,” he says. “This music is the drugs. This music is the common language that even essentially the most divided of us can perceive. However it additionally has the ability to disrupt and alter. It has the ability to interrupt by means of even the loudest noise and unify. And so let’s acknowledge that there isn’t a music with out hip-hop proper now. The music enterprise isn’t what it’s with out hip-hop. Tonight, we’ve celebrated, however extra importantly, we’ve completely cemented the legacy, the influence and the contributions of this music, of our music, to the tradition and to the world perpetually.”
