It is a visitor column written by Gordon Droitcour, a co-founder and govt producer at COUR, a multidisciplinary inventive home. He is also the co-founder of Syne Analysis, a model that celebrates the visible aspect of the listening expertise by means of digital album paintings shows.


Late final yr, the Excision and Immanent VJ staff approached COUR to deal with the inventive and execution for 5 songs of Excision’s latest tour, “Nexus,” together with Extremely Music Competition in Miami.

Elevating the tracks “Bass to the Dome,” “1 on 1,” “Dying Want,” “Finish of the World” and “Kern Glad Die,” COUR sought to create 5 distinct worlds that may seamlessly merge with the music. Conscious of Excision’s popularity for creating electrifying performances, the staff knew they needed to ship a spectacle that may not solely improve the music, but in addition depart the audiences wanting extra.

The COUR staff started work in December 2023, working with Excision and inventive/video director Matt Medwid to develop the visuals for 5 tracks throughout the efficiency. Excision and the Immanent staff have been fully answerable for the inventive idea behind the Extremely Music Competition set and needed the efficiency to be visually putting and seem as if the visuals have been coming out of the display screen in the direction of the viewers.

Alongside Matt, COUR drew inspiration from intense twists on nature, the pulsating beat of web tradition and the quirky realms of pc futurism to breathe life into the efficiency. We got here up with distinctive ideas to accompany every of the 5 songs.

Throughout “1 on 1,” the staff needed to create a Tron and Tetris-inspired architectural wonderland for Excision that may match the attitude of the stage and prolong it. It was a fairly particular second. Lasers have been dancing throughout a wireframe panorama, revealing intricate geometric shapes towards the night time sky. It was architecturally-led however felt like a quick, rhythm-based cube-crusher sport.

Excision’s Visuals for “1 on 1” at Extremely Music Competition 2024 (0:30)

Matching the futuristic bass beats of “Bass to the Dome,” Excision needed to convey the efficiency to life with pulsating cubes of lasers rolling and crashing into the earth whereas unleashing a barrage of pyrotechnics, shockwaves and digital alerts. Throughout the observe, the perimeters of the dice start to fall away, revealing a futuristic bass speaker inside.

Excision’s Visuals for “Bass to the Dome” at Extremely Music Competition 2024 (0:30)

Because the present progressed and the power of the set elevated, the staff needed to create an thrilling second for the viewers that may match the power of “Kern Glad Die.” Throughout the observe, a laser is emitted from the middle of an LED wall, and a reactor core is activated within the centre of the display screen.

Because the core started to fireplace up, a shiny inexperienced backlight slowly started to fill the display screen, illuminating an enormous array of individuals standing on a multi-story scaffolding construction. Because the music builds, the individuals on the scaffolding start to convulse and transfer frantically.

Excision’s Visuals for “Kern Glad Die” at Extremely Music Competition 2024 (0:30)

One other idea the staff developed was a futuristic pc interface that visualized a cybernetic overlord’s voice by means of a surprising 3D lattice construction throughout “Finish of the World.” The pc interface was a skinny glass with intricate HUD visuals displaying knowledge.

Because the music darkens, the overlord leaves the pc interface, breaking the body and extruding in the direction of the viewers. This second totally demonstrated Excision’s unparalleled creativity and technical prowess as artists on the high of their sport.

Excision’s Visuals for “Finish of the World” at Extremely Music Competition 2024 (0:30)

Alongside Matt and Excision, COUR remodeled the stage right into a rocky, hieroglyphic-filled cave for “Dying Want.” An ominous “X” emerged from the darkness, accompanied by bursts of fireplace, lasers and the chilling proclamation “Time to Grant Your Dying Want” splashed throughout giant screens, which engulfed the viewers in an unforgettable sensory expertise.

Excision’s Visuals for “Dying Want” at Extremely Music Competition 2024 (0:30)

Although COUR focuses on video content material, they satisfaction themselves in being a multidisciplinary inventive home dealing with issues from inventive route to design to content material. The Extremely Music Competition efficiency was a testomony to Excision’s uncooked expertise and creativity to ship one of the crucial forward-thinking and revolutionary dwell music experiences.



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